Reunions prove complicated, good deeds go awry, and the personal becomes heartbreakingly political as Downton Abbey nears the conclusion of its third series.

The winds of change rise with every series of Downton Abbey, but as this year’s aristocratic exploits reach their height, it seems like life at Downton might look very different when our time with the Crawleys comes to a close.

Episode 7 began with something returning to normal – on the surface, at least. The long (long) awaited return of Mr. Bates from his unjust incarceration. Much joy and hand-shaking commenced in Downton upon his arrival, despite the fact that no one seemed to know exactly what to do with Bates. Anna was confident that Bates would resume his position as Robert’s valet, but for the time being, Bates seems to be doing much the same as he did in prison: very little, only with much nicer clothing.

Upstairs among the Crawley family, Matthew struggled with Robert to bring the estate into the 20th century, while continuing to worry about Mary not yet having conceived. Mary herself remained confident on that front, though she had to try considerably harder to emphasize the importance of family for her father, Tom, and Tom’s exceedingly unpleasant, visiting brother.

Edith, meanwhile, took steps away from her family, visiting London in consideration of the standing offer to write for a paper there. Isobel, on the other hand, found opportunities for change forced upon her by Violet, who took charge of The Ethel Situation in a definitive and unsympathetic fashion.

But it was the drama downstairs that caused the most radically ruffled feathers this week. After several episodes of burgeoning interest, Thomas finally tried (with a spectacular lack of success) to initiate a relationship with universally-lusted-after footman Jimmy. Unfortunately for Thomas, his assumption of Jimmy’s interest was based on a few patently blatant lies from O’Brien, and the object of his affection was disturbed (to put it mildly) to find Thomas in his bed in the middle of the night.

To further complicate matters, O’Brien’s nephew Alfred accidentally walked in on Thomas’ misbegotten attempt at romance. At O’Brien’s urging, Alfred reported his uncomfortable discovery to Mr. Carson, leaving Thomas at the mercy of both Carson and Jimmy’s respective responses to his actions.

The episode concluded with the Catholic christening of baby Sybil Branson, or at least its photogenic aftermath. Though stiff postures and sad smiles abounded, at least the Crawley family did seem to find common ground in rallying around their (totally adorable) new addition.

Next week (already!) brings the finale of Downton Abbey‘s jam-packed third series, at least until the December Christmas special. ITV says of next week’s episode:

There is excitement in the house and village as the annual cricket match approaches, and it brings out Robert’s competitive side.
As Violet’s great niece Rose arrives, a trip to London reveals there is more to her than meets the eye.
Thomas’s future is in Carson’s hands, but Bates may be an unlikely ally.
What secrets are Mary and Matthew holding back from each other?

Who is this “Rose” character? (And she does seem like a character!) How can Bates help Thomas? Don’t Matthew and Mary tell each other everything? And why on Earth are they all playing cricket?

We guess we’ll find out next week! The series finale of Downton Abbey airs on ITV Nov. 4 at 9 p.m.

Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

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Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

Free will and humanity. Sacrifice and love. The nature of reality — and even of life itself. Beneath the plot, surprises, and pain, that’s what’s really going on in the Agents of S.H.I.E.L.D. spring finale.

That, and the characters who get caught in the middle.

Jed Whedon is Not. Playing. Around.

Executive producer and showrunner Jed Whedon is the man behind the pen and the camera in “Self Control,” and he’s there for a reason. Whedon’s first try at the director’s chair on Agents of S.H.I.E.L.D. is operatic, incisive, and perpetually gut-clenching.

Yes, there are lovely and disturbing vistas, an artistry that comes from a deliberate and careful eye. But more important is the unshakable Whedon impulse that animates Agents of S.H.I.E.L.D. 4×15, that builds through the episode like a cresting tide.

You know that unmistakable sense that someone is laughing behind the scenes? Yeah. That’s why Jed Whedon is here.

What’s next?

Well, that’s a very good question. “Self Control” leaves us with a few razor-like possibilities, all of which lead down spiky corridors of questions. Agents of S.H.I.E.L.D. 4×15 is here to leave us thirsty for the season’s final seven episodes, and that’s exactly what it does.

Oh, and to answer your next question…

Cliffhanger?

Uh, yes. Cliffhanger.

Oh boy, cliffhanger.

Agents of S.H.I.E.L.D. 4×15, “Self Control,” airs Tuesday, Feb. 21 at 10:00 p.m. on ABC.

What are your top theories for ‘Agents of S.H.I.E.L.D.’ 4×15?

Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

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Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

‘Liberty’s Kids’


Liberty’s Kids aired in the early 2000s on PBS. Liberty’s Kids follows three teenagers from varying backgrounds throughout the American Revolution, mentored by Benjamin Franklin. It is geared for children but is still pretty enjoyable for adults. In each episode, the teenagers encounter a significant person or event from the revolution, giving a concise and entertaining history lesson. The show features many important figures throughout the revolution, showing even more presidents than in Hamilton. As one can imagine, Washington is among these.

‘Lincoln’


Lincoln is a 2012, Oscar nominated movie, directed by Steven Spielberg based on Doris Kearns Goodwin’s biography of Abraham Lincoln, Team of Rivals. Instead of a biopic of Lincoln’s entire life, Lincoln is specifically about his passing of the 13th amendment. Essentially directed between each of his science fiction blockbusters, Spielberg also made many significant historical movies, Lincoln among them. Lincoln not only shows his power as a president, but also humanizes him through an Oscar winning performance by Daniel Day-Lewis.

‘1776’


Hamilton is not the first musical about American history. Thankfully, though, because this way there are other options, one of which is 1776. Even more conveniently, the musical 1776 was adapted into a movie in the early 1970s. Heavily implied by its name, 1776 is about the signing of the Declaration of Independence. 1776 definitely has a more classical musical theater vibe than Hamilton. The strange combination of American history and musical theater allows for a humorous yet educational experience. However, as reflective of the history of the signing of the Declaration of Independence, Washington is not a character in the musical; yet, it obviously includes many other significant historical figures.

‘The West Wing’ or ‘The American President’


Unlike the other items on this list, these two are about fictional presidents. But it would be nice if they were real. Of the many politically charged movies and television shows by Aaron Sorkin, these two are specifically about presidents. If you have the day off and want to attempt to binge watch seven seasons, then you may want to check out The West Wing. The West Wing follows President Bartlet and his staff and advisors during their time in the White House. If you want a movie to help you transition between Valentine’s Day and President’s Day then The American President is worth watching. It is a romantic comedy about President Shepherd, who falls in love with a lobbyist.

How else will you celebrate President’s Day?

The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

Favreau tweeted the news Friday evening:

According to a statement from Disney, The Lion King “will build on the groundbreaking technology used in The Jungle Book to bring the story of Simba to photorealistic life.”

A release date for the film hasn’t been set. Favreau also helmed the live-action Jungle Book for the studio.

So far casting is off to a great start!