Doctor Who abandoned Daleks and instead delivered “Dinosaurs on a Spaceship” in this week’s episode, bringing guest stars Mark Williams, David Bradley and Rupert Graves along for a rip-roaring adventure – but did it match up to the high standards of the series 7 premiere? This article contains episode spoilers.

With series 7, the producers aimed to make every episode of Doctor Who a cinematic installment in the series’ canon, with showrunner Steven Moffat being quoted as saying “write it like a movie poster.” On the evidence so far, they’ve certainly gone a long way to maintain that mantra. However, the world of movies is big and diverse with a range of different genres – and within those genres there’s a lot of variation in quality. If “Asylum of the Daleks” was The Empire Strikes Back, then “Dinosaurs on a Spaceship” was more like Transformers: incredible special effects, lots of action and amusing one-liners, but no real impact. The sort of entertainment that’s great with a bag of popcorn and a significant other, but not all that wonderful if you were looking for something with a lasting impression.

Doctor WhoImage: BBC

That’s not to say Doctor Who series 7’s sophomore effort was bad (it did exactly what it said on the tin), just that “Dinosaurs on a Spaceship” adds little to the show’s legacy other than some excellent CGI and prosthetic work. Writer Chris Chibnall (“42,” “The Hungry Earth”/”Cold Blood”) litters the script with amusing gags throughout, keeping the tone light but also reducing most of the threat. More could have been made of the Silurian spacecraft’s impending destruction, which was largely glossed over – resulting in a sudden denouement that seemed rushed and out of place. That said, the imaginative strands of the narrative do (sort of) tie together.

Director Saul Metzstein leaps straight from Pond Life into his show debut, balancing the stylish visuals with limited computer effect time confidently. He directs the all-star cast with aplomb, focusing as much on the character moments as he does the episode’s surprisingly few set pieces. Major props must also go to the actors themselves, particularly to Harry Potter alumni David Bradley (Solomon) and Mark Williams (Brian), who steal nearly every scene they’re in. We can’t forget Matt Smith, Karen Gillan and Arthur Darvill who continue to excel as The Doctor, Amy, and Rory in spite of less meaty roles than recent escapades have brought. Unfortunately, the same can’t be said for Sherlock star Rupert Graves’ Riddell and Riann Steele’s Queen Nefertiti. Despite excellent performances from both, the writing fails to develop the characters leaving us with one-dimensional cutouts. That’s always the danger of ensemble pieces, though – some balls will always be dropped in the juggling act.

Doctor WhoImage: BBC

“Dinosaurs on a Spaceship” doesn’t really add up to the sum of its parts, a surprise for an ensemble adventure with a mash-up of narrative devices and ideas. Assured directing, imaginative writing, excellent acting and impressive effects deliver an exciting romp with popcorn appeal but no weight or lasting legacy. While it doesn’t quite reach the heights of its predecessor, the episode remains an entertaining adventure with plenty of laughs and a rip-roaring pace.

“Dinosaurs on a Spaceship” analysis

As stated above, the latest installment doesn’t contribute too much to the canon of Doctor Who, but we’re still left with a few tidbits to analyze. First of all we met Brian Williams, the first parent of a companion to travel in the TARDIS since Matt Smith took the keys to the blue box. Actor Mark (also Williams) had great chemistry with Karen Gillan and Arthur Darvill, building a genuine father figure with far less high-emotion and screaming fits than the parents of Rose Tyler and Donna Noble. He warms to the concept of time travel fairly quickly, and before long he’s making plans The Doctor couldn’t fathom and pulling an assortment of bits, bobs and balls (cue an awkward yet hilarious testicle joke) from his pockets to spectacularly save the day. Enlightened by his adventure aboard the crashing cargo ship, Brian ventures out to see the world and universe beyond. While we’re not quite sure if his travels in the TARDIS make him a fully-fledged companion we’ll say this – it’s a shame the character has been introduced this late into the Ponds’ tenure, and we can’t wait to see him in “The Power of Three.”

“Dinosaurs on a Spaceship” picks up ten months after episode 1, and as the Doctor has continued exploring obliviously, the Ponds have continued growing older. Rory reveals he is now 31, meaning ten years have passed since Amy first stepped into the TARDIS the night before her wedding. Young Amy and Rory aren’t quite so young anymore, and a few exchanges between Mrs. Pond and the Doctor seem to foreshadow their eventual departure – River’s “The Angels Take Manhattan” quote about the Time Lord not liking endings will definitely seem all the more significant as we see the couple grow older. With Amy and Rory now living in 2020, who knows how many years will have elapsed when their swansong eventually arrives?

Doctor WhoImage: BBC

A brief though significant cameo from Silurian Malohkeh expands the species history, though largely leaves them in the same retired state that they started the episode in. The spectacular return (and survival) of dinosaurs shows them relocate the former planet of homo reptilia. This certainly leaves the door open for a return in the near future, with the pre-historic population potentially growing and becoming a major threat.

Finally, the Doctor’s increasing ambiguity to the universe’s inhabitants is once again referenced in a tense – albeit short – scene. That thread has frequently been expanded upon since “the question” was revealed in “The Wedding of River Song” – we know it’s leading somewhere, but exactly WHERE we’re going and WHEN the show’s title will become significant still remain a mind-boggling mystery.

What did you think of “Dinosaurs on a Spaceship”? Will it make a memorable impression on your Doctor Who experiences or do you agree that it’s nothing but rip-roaring popcorn fluff?

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?

Legion M president Jeff Annison introduces the first fan-owned entertainment company

"Opening the gates to Hollywood" with fandom-powered entertainment production.

2:12 pm EDT, August 24, 2016

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

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Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

The full interview is available to download here or via iTunes, or you can stream it below:

In the interview, Annison explains the mission of Legion M, which is to bring fans directly into the production process. Says Annison, “For the first time in history, we are architected to be built from the ground up to be owned by fans.”

With a ‘Legion’ of fan investors behind them, Annison believes that Legion M’s approach to selecting and developing projects will be very different from anything else we’ve seen in Hollywood.

Where usually creators will struggle to make their content stand out from the crowd, “bringing the audience into the process [of creating entertainment], we’ve already got a built-in audience,” Annison explains. “If you can have the audience of content be invested in content, it gives that content a competitive advantage.”

One of the key ways in which Legion M hopes to influence the creative industry is by opening the door for more diverse projects.

As Hollywood is so revenue-driven, oftentimes the ‘risk’ of letting a movie’s lead character be a woman, a person of color and/or a member of the LGBT community is simply considered too great. But Legion M, being owned by fans, has the opportunity to tip the scales. Because if the investors want more diversity and new kinds of stories, that’s exactly what they’re going to get.

“The reason that there are so many superhero movies and reboots and remakes… Hollywood’s figured out the formula. You pick something with an established fanbase, and if you make the movie you know it’s less risky because you know those people are gonna come see the next Superman movie,” says Annison. “Whereas if it’s an unknown story, you just don’t know. So we believe when you make the audience part of the process, these fans that are part of our studio … if you’ve got an audience that’s baked into it, that gives you so much more creative leeway.”

In practice, this means that Legion M, “could come up with a completely new and novel story that’s never been tried before, and know that it’s gonna have some success” — which means that it’d actually get produced, unlike many original ideas that come to Hollywood to die.

Further, fan owners of Legion M can experience unprecedented involvement with the creative process. Not only are they involved with selecting and developing projects, but, “our promise to our investors is that we’re gonna take you along for the ride. When we film a movie, we wanna live-stream from the set. When we have project opportunities, we wanna put them in front of you. We give the Legion a voice.”

To start with, Legion M is partnering with Seth Green and Matthew Senreich’s Stoopid Buddy Stoodios, which created Robot Chicken. Annison explains that they still have “dozens” of projects that networks have rejected, and Legion M is working on bringing some of them to life.

In terms of representation, Legion M doesn’t necessarily want to commit to a quota of diversity. Instead, where they expect to be able to influence Hollywood is at the “table” where these decisions are made — and, “because we’re owned by such a broad, diverse group of people, we’ve got a better shot than anybody else at being able to affect that change.”

As Annison explains: “Fans have the ultimate power. Our money is what makes this whole thing spin around. When we combine and come together, we’ve got all the power.”

Read more about Legion M and how to get involved on their website.

As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

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As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

Watch below:

The movie’s airport scene was easily one of the most delightful moments of the film, so we’re loving this extra dose of Stucky brilliance.

Need more? The Captain America Blu-ray, with a release date set for September 13, includes the following special features:

  1. United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
  2. Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
  3. Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
  4. Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
  5. Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of Captain America: Civil War.
  6. Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
  7. Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

The Digital HD version of Civil War will be released on September 2.