In an unprecedented move – usually he sticks to short, funny and infrequent tweets, despite his fandom constantly begging for more social media interaction – Darren Criss has taken to his official Facebook page and posted an extensive blog expressing his love and gratitude towards his fans.

He also writes about his appreciation of the community they have created in his name, and discusses his personal thoughts on his own crazy rise to stardom over the past two years. This is a must-read, and we have copied the blog post, in its entirety, below:

From Darren’s Facebook page:

Dearest friends-

Though my very first episode aired on TV in November of 2010, the end of this past September actually marked the two year anniversary of a phone call that really turned my life upside down: I was notified that I had been cast as a new character on the popular television series, “Glee.”

Woah.

By that point, some of you had maybe known me from silly youtube videos, and for even less of you- from cafes, restaurants, and bars I used to play music at. Regardless of the when or the how or the why, it’s been been a pretty incredible journey for all of us since that phone call.

Some highlights:

In April of 2010, I was getting ready to start working on what some of you might now know as A Very Potter Musical. I was a senior at the University of Michigan, and I had just read an article about the cast members from the new hit TV series “Glee” singing at the White House. I thought, “Man, that’s insane.” Well, just this past June I took a song I wrote called “Not Alone” that I used in that very same musical I was working on in college, and sang it in person for the President himself… Shortly before I got to fist-bump him.

In July of 2011***, I was asked to speak on a Harry Potter-based fan panel in San Diego. I thought I was a bit under-qualified for the job, but was nonetheless excited to be asked to speak on a panel at one of my favorite summer events: Comic-Con! When I got there, I realized that we were given a rough time slot because it was the same exact time as the panel for that same hit TV show, “Glee.” I thought, “Man, this ‘Glee’ thing is really stealin’ my thunder…” Ok, well, the very next year, I couldn’t do the HP fan panel again because I was on that Glee panel.

The crazy stories go on and on, not to mention the little things like magazine covers or hitting Billboard charts, or doing a film with the likes of amazing people like Kristen Wiig, Annette Bening, Matt Dillon… Let’s see, what else, oh, getting to live my dream of doing a Broadway show, and then of course, there was getting to sing “Rainbow Connection” with Kermit the Frog… I mean, these things are unbelievable. Unbelievable. I have a pretty wild imagination, but I never thought any of that could actually happen, let alone in such a relative short period of time.

Here’s the deal- I work hard, I try to make the right decisions and do the best I can with everything I do and all that good stuff- but really, that can only go so far. There are so many contributing factors to what has happened for me that go far beyond my control… And that’s where you come in. You, the fans, have been a huge part of the reason why I’ve been able to do half the things I’ve been able to do.

We live in an unprecedented age of social connectivity, and I am happy to say that you none of you have failed to take full advantage of that. Don’t think I’m not aware of how active the fandom is, or how much impact is has. Remember: Not only am I fan myself, but I do have an internet connection. I see the gifs, I see the fanfics, I see the memes, and it’s all amazing stuff. Though I haven’t met the majority of you, it’s a real thrill to know that many of your lives have come together on behalf of mine. That’s an incredibly moving concept, and the fact that those connections have yielded so much positivity is something even more amazing.

Let’s take my own stories out of the picture for a second- you, as a group, have all accomplished some pretty amazing things yourselves. You done everything from raising money for great causes to organizing awesome flash mobs over the internet to show your support. You have shown up at the crack of dawn and stayed until you’re the last one standing. You have come together to create something far greater than any of us: a real sense of community and a genuine place of support- not just for me but for each other. And I can safely say that I wouldn’t be where I am now if it weren’t for that.

Oftentimes I meet people who challenge me, “You have no idea what you’ve done for me.” Well the truth is, it’s the other way around. I do have an idea, and a pretty good one at that. Because for whatever you may think I may be giving you, you are actually giving back to me, tenfold. And I am constantly wondering when and if it will fade, who will stick around, who will get bored- I often think about the day there won’t be anyone on the other side of the stage door… but despite myself, as time goes on, you all have never ceased to amaze me with your enthusiasm, creativity, and seemingly endless joy that continues to inspire and encourage me.

Tonight is the premiere of the dreaded break-up episode. For many Glee fans, I imagine there will more than reason to be sad. But cheer up, think of it this way: much of your support has allowed me to be on this show long enough to reach a breakup in the first place; it has created a relationship that people cared enough about whereby it was even worth writing an episode about its potential end. I never thought I would get to be around long enough for something like that. And I really have you, the fans to thank for it. It’s something to be proud of.

What’s more, I was even asked to play my own arrangement of teenage dream for this episode- an acoustic piano version which so many of you have supported since I sang it as my first song on my very first episode. I started playing this version at shows as a sort of “thank you” to the fans, for making it such a big song for both myself and the show. It was the song that started everything.

So before the episode airs tonight, I thought it was only appropriate to write a fully fledged note to all of you that could express my deep appreciation for the past two years since that crazy phone call. I hope that this is just the beginning, and that I get to thank you many more times for many more adventures as the years roll by. But for now, know that I am so very grateful for everything you’ve given me, and I am very proud of what we have accomplished together. From teenage dream to teenage dream, thank you for allowing me to live mine.

your biggest fan,
Darren

[*** He means 2010. He was on a Harry Potter Fan panel at 2010 Comic Con panel, and Glee‘s 2011 panel.]

Admit it – who’s weeping? In all seriousness, this is a lovely gesture from someone who has a reputation of being very expressive and eloquent in personal interactions and in interviews, but who has generally shied away from using social media to address the fandom at large. It’s no secret to Darren Criss fans that Darren has a true understanding of fan culture and is integrated into his fandom – one of the things that has always made Darren’s fandom so loyal and so familiar.

From starting out with Team StarKid – where the “us” and “them” dynamic isn’t “us, the fandom” and “them, the stars” but “all of us” and “the rest of the world who aren’t in on the joke,” Darren has held onto that attitude while growing into his position as one of today’s brightest young stars. Some celebrities never have that attitude, never have that relationship with fans, because they never came from fan culture. Darren Criss does. He’s proved that time and time again, in every fan interaction, in every livestream, every time he’s given the chance to go a little off-book with the press, when he’s at his Broadway show’s stage door thanking the crowd every single night. And he’s proved it here, in writing, which will doubtless be quoted and reblogged all over Tumblr and printed onto teeshirts in Skreened stores in a matter of minutes.

So if anyone ever wonders what the deal with that Darren Criss guy is, what’s with the hype surrounding him, what’s with the pink sunglasses? Point them here, because it’s not simply that he’s on Glee, because he has a charming smile or sings a cute song or kisses a cute boy. It’s this. This is the deal. He’s still the “us.”

Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

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Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

No word on if the UK will be seeing the same air date but it’s more than likely they will since it’s been like that in years past.

This will be Peter Capaldi’s last season as the Doctor, along with Steven Moffat’s last season running the show. After this we’ll be seeing Chris Chibnall taking the reins with a clean slate, and we’re so curious about how the series will go. How will the Doctor regenerate? Will this be Bill’s first and last season on the show as well? Who’s going to be the next Doctor? We’ve got so many questions! But they’ll all be answered in due time… we hope.

And that’s not all! Fans in the UK have already had the chance to enjoy the brand new spin-off series, Class, and after Doctor Who premieres on April 15 Americans will finally witness it as well.

Set to air directly after Doctor Who at 10/9c, Class is helmed by award-winning YA writer and executive producer, Patrick Ness. The series follows a group of students at Coal Hill School as they deal aliens, invasions and awkward social dilemmas.

Having seen Class in its entirety we can tell you that it’s got the perfect Doctor Who vibe and should fit in perfectly after you watch the season 10 premiere. Although not everyone loved the premiere, the series as whole definitely grows on you. You’ll just have to check it out for yourself!

Are you excited for ‘Doctor Who’ season 10?

How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

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How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

After confessing to both Michaela why Connor was at the house the night Wes died one of the many shocking reveals of the episode is made. “Connor might have killed Wes.” As it turns out, Connor showed up at the Keating home after responding to Annalise’s plea for them to all meet there. As he arrived he found signs of a struggle, and even more, Wes’s warm body in the basement.

Connor could smell gas, but still he persisted in trying to resuscitate Wes through CPR. For over a minute he cried and pounded on the dying boy’s chest until he heard a crack of bone, a fractured rib. He fears he might have punctured a lung. He fears he might have been the one to strike the deadly blow.

Once the confession is made the Keating crew reacts. Oliver pleads for understanding. Annalise reassures Connor that he didn’t do this. Bonnie tries to play mediator, keeping everyone calm. Finally Laurel, in a blindingly emotional rage, instructs Connor to go and kill himself. Saying such action will be the only good thing he will ever do with his life.

2. Annalise’s hidden voicemail

Connor and Oliver were adamant that nothing on the copy of Annalise’s phone was incriminated. Then why would she ask Oliver to erase it? Well when Connor is about to be arrested for Wes’ murder fans find out just what Annalise was so afraid of. he discloses to Denver the location of the copy, and Annalise comes forward with what she wanted to hide.

The night that Wes died he left her a voicemail, explaining ADA Atwood’s plan to take her down for the murder of Sam and Rebecca Stutter. His exact words are “I can’t let you go down for what I did.” He begs her to come home, to talk about it, to discuss their options. But he died before any arrangements could be made. In fact, he was taken down moments after the call was made.

What is truly shocking however isn’t the voicemail itself. The kicker is how Annalise uses the voicemail to pin it all on a new suspect to clear her own name. Wes. Out of context, the voicemail sounds like Wes is confessing to killing both Sam and Rebecca. Annalise is able to twist the story to make it look like Wes took his own life out of guilt. She tarnishes his reputation forever.

3. Oliver’s shocking request

After Connor answers the burner phone Denver used to stay in contact with Atwood throughout Wes’ death, he goes missing. He is caught by Denver and taken to a hidden location where he is held against his will.  While held, he is questioned about his involvement with Wes’ death. He is accused of murdering Sam. He is threatened to be held for more than the legal 48 hours.

Meanwhile, Oliver heightens to a frenzy. In a panicked state he obsesses about the whereabouts of his boyfriend. He brings up the severity of the situation almost every time his face shows up on our screens. While most (Laurel) believe that Connor has taken Wes’ immunity deal, Oliver remains convinced that Connor is in immediate danger.

He isn’t wrong. Connor is nearly arrested for the murder of Wes. Luckily, after the voicemail comes to light he is released. When he arrives home the two boys engage in a moment of passion, literally ripping the clothes off of each other. They talk about safety, moving to California, making babies, and loving each other forever. To Connor it’s all tied to the sex. To Oliver, however, it’s much more. He’s serious. He asks Connor to marry him.

4. Michaela’s oddly-timed confession

In the heat of everything going on Asher declares his love for Michaela. He calls this year the most awful of his life. He can’t let another moment go by without telling Michaela how he feels. As he spends a few tender moments showing Michaela his heart she pretends to hear Laurel from the other room. She effectively flees the situation.

Michaela doesn’t feel she can honestly answer that question. She doesn’t know. In fact, she doesn’t know if she has ever been in love. However, when it comes down to it, as Michaela has to pretend she wants to go home with Charles Mahoney she realizes something. She does love Asher. Or at least she thinks she does. That’s right, the girl who has always held her true intentions hidden deep inside finally opens up in a women’s public restroom, no less.

5. Wes’ murderer revealed

As the final episode of season 3 came to a close we felt pretty sure that the mysterious hitman was in cahoots with Denver. He never denied it, he almost seemed to confess as Annalise threatened to take him down. As she accused him of having a hand in Wes’ death in some way he seemed so guilty. It had to be him. The very last moments of the episode revealed a very different story, however.

As Laurel began to run down Charles Mahoney who awaited Michaela at a cab she ran into a similar face. Although, she and the audience had much different reasons for recognizing him. To her this man was Dominique, a family friend. To the audience he was the hitman who injected Wes with the lethal substance that took his life.

In one final flashback we see Connor running past the hitman’s car as he talks on the phone. He confirms that the deed is done. Wes is dead. But he doesn’t relay this news to Denver. He is speaking with Laurel’s father. The orchestrator of this all.

What moment stood out to you most in the ‘How to Get Away with Murder’ season 3 finale?

I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

Read full article

I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

But that’s just it, we’ve only begun to explore mental health awareness in the proper way. With all of the shows on TV only a small number of them have started to explore this important subject. But the few that have? They’ve done a great job.

As much as I love TV I don’t watch everything so I’ve asked my Hypable co-workers to share with me their shows and how any of them highlight mental health awareness. These are all such great examples of how a television show can bring up awareness not for the sake of entertainment but rather because it’s important to show the world how mental health actually affects our lives.

‘The 100’


Jasper Jordan is a rare character in a post-apocalyptic work of fiction, because unlike most of his delinquent peers, he doesn’t have a near-superhuman ability to compartmentalise the traumas and keep fighting for his own and his friends’ survival.

Related: Jasper’s arc on The 100 is real, raw, and underrated

Where characters like Clarke, Bellamy, Monty and even Murphy get knocked down and get right back up again, Jasper isn’t able to do that. The ground was already well on its way to breaking him before he experienced the horrors of Mount Weather, and despite surviving it all, he hasn’t emerged stronger — his mind is giving out, and Jasper has no desire left to carry on. His self-destructive depression and suicidal tendencies were on full display in the season 3 finale, and although the writers decided to let him live (the original plan was for him to kill himself), his trauma hasn’t magically disappeared.

Jasper is a broken soul in an unforgiving world, and his pain is going to continue to define his character from here on out. –Selina Wilken

‘Bojack Horseman’


Every character on Bojack Horseman suffers from depression, and they all deal with it in different ways. Bojack is cruel and listless and blames everyone else for his problems, Mr.Peanutbutter hides his pain behind a smile and an upbeat personality.

Princess Carolyn loses herself in work and keeps her distance from other people emotionally to avoid being hurt again. Todd allows others to steer his life for him because he believes he’s too dumb and useless to make his own decisions. Every season hammers home why these characters behave the way that they behave, and it’s all wrapped up in a big metaphor about how we’re all just animals trying to survive. –Jimmy Bean

‘UnReal’


Probably one of the most evident and obvious shows that handle mental health, UnReal‘s main protagonist Rachel suffers from a lot of anxiety, depression and post traumatic stress disorder. If you watch just season one and half of season 2 you may not understand Rachel’s actions or why she suffers from PTSD, but in season 2, episode 7 it all becomes clear. Unlike the other shows, UnReal provides a great example for how to not handle depression. The actions of the characters are so abundantly harmful and deceitful that it’s easy to hate the characters and what they’re doing.

It’s hard to discuss without spoilers, but it’s not hard to see how Rachel suffers from these mental health conditions. The poor woman is surrounded by people who try to help her by helping themselves, leaving her to handle her depression and anxiety alone, and it provides a clear picture for how to not support your friends. The best thing this show does is displaying how important it is to take a look at the people around you and make sure you’re keeping them there for the right reasons.

As morally corrupt as the show and its characters are it’s a realistic portrayal of how harmful denying and not treating your depression and anxiety can be. –Tariq Kyle

‘Teen Wolf’


Stiles anxiety has been threaded subtly through Teen Wolf, with just a few instances where it has made it to the forefront of the plot. In one case, Stiles has a panic attack when he’s learned his father has been taken in season 3. Since he lost his mother has a young child, his father is really the only family he has left. Stiles has always been overprotective of his dad — making sure he’s eating healthy and taking care of himself. When he has a panic attack, Lydia finds a way to calm him down, but she doesn’t try to cure him.

Stiles’ anxiety is as much a part of history as anything else, and it returns to enhance the plot of the show in season 5 when Stiles is worried about what will happen to his friendship with Scott after high school. It drives Stiles to attempt to keep everyone together, but when that all falls apart, he must confront his fears and accept that life doesn’t always work out the way you want it to. By the time season 6A finishes up, Stiles has overcome this particular trigger, but again, that does not mean he’s been cured of his anxiety. Teen Wolf knows that a mental illness like anxiety is not something you just get over; it’s something you constantly have to work through. –Karen Rought

‘The Magicians’

‘The Magicians’

The biggest driving force in The Magicians actually isn’t magic, but rather depression. It’s made all too clear in season 1 when Elliot explains to Quentin, “magic doesn’t come from talent, it comes from pain.” Author Lev Grossman has discussed this parallel several times, explaining that his own depression was the inspiration for the series.

Grossman explains, “when I was really struggling with depression, I would lie in bed every day, and I couldn’t get up. And I would watch people doing these normal things, going to their jobs and having their relationships, and I would think, I could never do that. And it felt like they were doing magic. And when I started to get better, and I started getting up, and I started doing all these normal things, I felt like I was a magician.”

And what’s particularly great about The Magicians is how each character handles their own depression and anxiety in their own way. Some, like Quentin, are sheepish and quiet about it. Others, like Elliot or Margo, put up a facade of strength and nonchalant-ness that they seldom put down for others. The show is incredibly unique in how it handles mental health, and it’s a great representation of how today’s adults are dealing with it in their own way. –Tariq Kyle

‘Survivor’


While scripted shows are improving leaps and bounds in their portrayals of mental illness, Survivor has always been happy to show real people overcoming real obstacles, including anxiety disorders and phobias that do not lend themselves to being marooned on an island for a month or more. This past season on Survivor brought us three very different, but inspiring storylines about people overcoming anxiety and such to do extremely well in a game that has overwhelmed some of its strongest participants.

David, who works as a TV writer when he’s not marooning himself on television, walked into the game looking like the type of person that is usually the first person voted off. He appeared weak, paranoid, and was afraid of nearly everything on the island (a scene in which he is scared to hold a stick bug stands out in my brain). As he grew comfortable with his surroundings, he managed to harness his weaknesses and use them in his own favor. He also bonded with another of our inspiring survivors, Ken.

Ken suffered from a stutter as a kid, and has social anxiety thanks to years of bullying and teasing. Ken not only learned to bond with David, but throughout the game managed to make friends and trusted allies despite his anxiety.

Last, but certainly never least is Hannah. Hannah, like David, walked onto the island looking like the type of person that gets voted off this show in the first few episodes. Her lowest point was definitely when she had an anxiety attack from just watching an immunity challenge in progress. She was sitting on the sidelines and suddenly started hyperventilating and her hands seized up. She went on to form solid alliances and maneuver her way into the final three.

Survivor allowed viewers to watch as these three unlikely people made their way through one of the toughest social experiments in play today. Their struggles are real and tough, and they’ve put themselves in circumstances most of us couldn’t dream of subjecting ourselves to, but each came out stronger, more assured in who they are, and aware that their anxiety does not define them. –Kristen Kranz

How do you feel depression and anxiety are being represented on TV?

Don’t forget, you’re not alone. Give a call to the National Suicide Hotline (1-800-273-8255) or text them by texting START to 741-741