In the last few years, original British dramas like Doctor Who, Downton Abbey, Sherlock, and Misfits have become international hits with considerable fandoms. Hypable’s Harri Sargeant takes a look at new upcoming dramas that could match the popularity and quality of their predecessors.

As American broadcasters have announced their fall line-ups over the last few weeks, it looks like we are in for another turbulent year of television. From the controversial Elementary and jumping-on-the-bandwagon Beauty and The Beast to the eagerly anticipated Revolution and dare-we-get-our-hopes-up Arrow, it looks like the United States will be treating the world to a massive range of new dramas and comedies of varying quality. In recent weeks we have been bombarded with announcements, teasers and promos in an effort to court loyal viewers a couple of months early.

Over here in Britain though, we do things a bit differently. Instead of a big, glitzy ceremony and months of speculation, our channels simply commission a series quietly when they are presented with something that interests them. It may be a more artistically credible approach to green-lighting drama, but it can make it difficult to choose what you intend to watch. As an ambassador and passionate fan of the dramatic works of my home country (nearly all of the fandoms I cover for Hypable are British-made television shows), I try my best to stay informed about the sluggish trickle of announcements. For those of you who don’t live in the U.K. or miss the muted announcements – and it’s all too easy to do so – I’ve collated a list of upcoming British dramas that you should look out for. Here’s hoping that it will help you find something to watch when you get a craving for tea, Union Jacks and miserable weather.

Wizards vs. Aliens


“Tom Clarke is a seemingly ordinary boy who loves football. He lives with his dad Michael and grandmother Ursula in an ordinary house in an ordinary street – but there’s something different about Tom. He has an astonishing secret – his family are Wizards! When the alien Nekross arrive on Earth hungry for magic, there’s big, big trouble in store for all wizardkind.

“With the help of his friend and science super-brain Benny, Tom must stop them – but will these two unlikely heroes succeed, or will the Nekross devour all the magic on Earth with disastrous results for the whole planet?”

It sounds like a ludicrous concept, but this new children’s drama is the creation of Russell T. Davies, the man the world has to thank for bringing Doctor Who back to our screens and cementing its place in the psyche of a whole new generation. While Wizards vs. Aliens seems more Sarah Jane Adventures than Torchwood, don’t let the family-friendly premise put you off. Rusty is a master of genre-bending television, and WvsA could become essential viewing for all ages.

Due to air in autumn 2012.

Watch if you like: Doctor Who

Bert and Dickie


“Thrown together just five weeks before the final of the 1948 London Olympics, Bert Bushnell and Dickie Burnell not only pushed physical and emotional limits, but also rose above distinctions of birth and class to become Olympic gold medallists.

“Bert and Dickie’s personal battle reflects a much greater struggle as London prepares to host the Olympic Games. In 1948, just three years after the end of the Second World War, London is half-destroyed. But, determined not to “let the Games die”, the British Olympic Committee convinces Prime Minister Attlee that the Olympics could help bring the country back together – and the Austerity Olympics are born.”

The name of star Matt Smith is enough to ensure that this television movie is universally popular, with the actor taking a break from traversing time and space as The Doctor to star alongside Sam Hoare in a touching period drama about two unlikely heroes. The drama carefully coincides with the start of this year’s London Olympics, and is sure to be a feel-good affair to get even the laziest couch potato in the mood for a hundred meter sprint.

No U.K. air date has yet been set.

Watch if you like: Christopher and His Kind, Downton Abbey

Mayday


“When a young girl goes missing on her way to the Mayday parade, the small community in which she lives looks to one another for answers.

“But beneath the picture-postcard idyll lies a sinister other world and the dark woods teem with myth.

“As the community reels from Hattie’s disappearance, the drama follows the mass hysteria and ensuing search from the point of view of the central characters, each of whom fears that someone they know is responsible. As they keep silent, their suspicions intensify over the course of the five episodes.”

From the makers of Life on Mars, Ashes to Ashes, and Hustle comes a unique take on the mystery genre starring Spooks alumni Peter Firth. Mayday is my most anticipated new drama of the year, and the most likely to reach fandom stardom. Combining crime and fairytale lore, this fascinating concept mash-up is definitely one to watch.

Due to air July 1.

Watch if you like: Once Upon A Time, Life On Mars

Me and Mrs. Jones


“Created and written by Oriane Messina and Fay Rusling (Green Wing, Campus), directed by Nick Hurran (Outside Edge, Doctor Who) and produced by Serena Cullen (Rules Of Love), the series follows the increasingly complex life of Mrs. Jones (Alexander) as she balances love, affection, sex and motherhood between an ex-husband, one grown-up son, two young daughters and male admirers with a 20-year age gap.”

Featuring the dream-team pairing of Misfits star Robert Sheehan and Sherlock maker Hartswood Films, Me and Mrs. Jones has all the makings of a comedy classic. Expect to see the high production values of Sherlock coupled with Sheehan’s trademark one liners and dry wit in what could be this year’s funniest series.

No U.K. air date has yet been set.

Watch if you like: Misfits, Coupling

Derek


“Derek Noakes is a tender, innocent man whose love for his job and the people he cares for shines through.

“He’s 49, adores animals, Rolf Harris, Jesus, Deal or No Deal, Million Pound Drop and Britain’s Got Talent – but his main hobby is autograph hunting.

“Derek works in a retirement home with his mate and landlord, Dougie. Derek cares deeply for old people because they’re kind and funny and tell him stories about the olden days.

“Hannah is a care worker at the home and is Derek’s best friend. She’s smart, witty and hard-working, but unlucky in love, and, like Derek, always puts other people first.”

Commissioned for a full series after the spectacular success of an initial one-off episode, the latest offering from the controversial creator of The Office and Extras shows a more sensitive side to Ricky Gervais without losing any of his boundary-pushing humour. Derek is a character you can really root for, and the show’s awkward humour and surprising poignancy will undoubtedly make for compelling viewing.

Due to air in early 2013.

Watch if you like: Life’s Too Short

Will you be looking out for any of these new shows?

Doctor Who season 10 finally has an air date and not only that, so does its spinoff, Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

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Doctor Who season 10 finally has an air date and not only that, so does its spinoff, Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

No word on if the U.K. will be seeing the same air date but it’s more than likely they will since it’s been like that in years past.

This will be Peter Capaldi’s last season as the Doctor, along with Steven Moffat’s last season running the show. After this we’ll be seeing Chris Chibnall taking the reins with a clean slate, and we’re so curious about how the series will go. How will the Doctor regenerate? Will this be Bill’s first and last season on the show as well? Who’s going to be the next Doctor? We’ve got so many questions! But they’ll all be answered in due time… we hope.

And that’s not all! Fans in the U.K. have already had the chance to enjoy the brand new spinoff series, Class, and after Doctor Who premieres on April 15 Americans will finally witness it as well.

Set to air directly after Doctor Who at 10/9c, Class is helmed by award-winning YA writer and executive producer, Patrick Ness. The series follows a group of students at Coal Hill School as they deal aliens, invasions and awkward social dilemmas.

Having seen Class in its entirety we can tell you that it’s got the perfect Doctor Who vibe and should fit in perfectly after you watch the season 10 premiere. Although not everyone loved the premiere, the series as whole definitely grows on you. You’ll just have to check it out for yourself!

Are you excited for ‘Doctor Who’ season 10?

Can Clarke stop King Roan and his Azgeda army from marching on Arkadia? Find out what to expect in next week’s The 100 season 4, episode 5 “The Tinder Box.”

Clarke makes a desperate plea with a former allied force in an attempt to avoid a war and ensure the survival of her people.

The fifth episode of The 100 season 4, titled “The Tinder Box,” was written by Morgan Gendel and directed by John F. Showalter. Proceed for our spoiler-light preview!

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Can Clarke stop King Roan and his Azgeda army from marching on Arkadia? Find out what to expect in next week’s The 100 season 4, episode 5 “The Tinder Box.”

Clarke makes a desperate plea with a former allied force in an attempt to avoid a war and ensure the survival of her people.

The fifth episode of The 100 season 4, titled “The Tinder Box,” was written by Morgan Gendel and directed by John F. Showalter. Proceed for our spoiler-light preview!

Where last week’s episode “A Lie Guarded” featured an emotional confrontation at Arkadia while Abby’s island team was in imminent physical danger, this episode flips their positions: This time it’s Clarke and her friends whose lives are at risk, while in Becca’s lab, the conflict is of a different nature.

In the first three episodes of the season, Roan was willing to work with Clarke and Skaikru, despite the fact that this threatened his already precarious position as King of the Grounders without a Nightblood as Commander. But after losing the Flame and discovering that Skaikru have been working to build a shelter for the Arkadians and are now trying to make Nightbloods of their own, Roan is (understandably) feeling betrayed.

Related: The 100 season 4, episode 4 review: All of this has happened before

Last week, he took action by capturing Kane and Bellamy and massacring the Trikru forces in Polis, claiming that it was Skaikru, not him, that ended the alliance.

In The 100 season 4, episode 5, Roan makes good on his promise of war, taking an army to march on Arkadia. As the promo reveals, Clarke will try to stop them on the way, and she squares off against their army in a rocky ravine, a picturesque rainbow in the horizon adding the only touch of color to this otherwise grim picture.

The 100 4x05 Clarke

The situation should remind viewers of Clarke’s first meeting with the Grounders on the bridge in The 100 season 1: Like when she faced off against Anya, she’s on her own against a leader on horseback, and she’s once again brought backup in the form of Sky People with guns.

But where season 1-Clarke was on a desperate mission to save her people and tried to feed Anya promises she couldn’t keep, season 4-Clarke has learned a thing or two about negotiating with Grounders.

As if stopping a war with her words isn’t a big enough challenge for Clarke though, Roan has brought Bellamy and Kane along as hostages, his soldiers holding swords to their throats as they all stare each other down.

Clarke Griffin may have come a long way since she first landed on the ground, but can she stop a war and bring her friends home safely?

The 100 4x05 Riley

Another problem, to add to the growing list, turns out to be none other than everyone’s favorite newcomer (what do you mean he hasn’t been here the whole time?!) Riley, who is one of two characters in this episode haunted by their past traumas and seeking a way to slay their demons.

As the promo reveals, he’s got Roan in the crosshairs of his rifle, seemingly ready to fire. “One shot,” Monty warns in the promo, “and we’ll be at war.” But no pressure or anything.

The 100 Clarke Roan

Where last week’s episode of The 100 was a thrillingly uncomfortable experience — watching Clarke being exposed, while on the island everyone was a hairsbreadth away from being killed by the drones — “The Tinder Box” is a different sort of tense.

This episode is a lesson in war tactics; Morgan Gendel is a master of his craft, having written for countless TV series including Law & Order and Star Trek: The Next Generation, and the way he juggles different character motivations and points of conflict ignition makes it all seem effortless (it’s not).

The three interweaving storylines may seem separate at first glance, but in fact, they are all reflections of the episode’s over-arching theme, with The 100‘s trio of female leads Clarke, Raven and Octavia serving as the respective focal point of each story.

But many other characters including Bellamy, Echo, Abby, Riley and Monty also prove key players in this subtle game of provoking or negotiating conflict. Everyone has the power to save or doom everyone else at any moment, and all it takes is for one character to take a misstep, and it’ll ruin everything.

More than any other episode this season (except maybe “Heavy Lies the Crown”), “The Tinder Box” really hammers home that The 100 is an ensemble piece where every character’s decisions have equal weight in the narrative, and everyone’s actions have wide-ranging consequences.

10 teases for ‘The 100’ season 4, episode 5

The 100 season 4 episode 5 Raven

  1. There isn’t often cause to be happy on a show like The 100, but this week we’re treated to the full power of Lindsey Morgan’s brilliant smile.
  2. Monty is, once again, the MVP of the episode. Why wasn’t he on the list, again?
  3. Bellamy and Echo have a confrontation.
  4. In Becca’s lab, Eric! Jackson gets to be the voice of reason.
  5. Pike may be gone, but his wisdom (?) has not been forgotten.
  6. There’s a frustrated weariness to both Clarke and Bellamy this week; both are visibly fed up with Azgeda’s war-thirsty way of life.
  7. Every season, The 100 finds new ways of exploring the question: What is one life against the survival of the entire human race? This episode sets up more than one potential future dilemma of this nature.
  8. Clarke isn’t the only one whose way with words will come in handy this week: Bellamy will also find cause to break out his motivational speech superpower.
  9. This episode sees the return of both Niylah and Ilian, both of whom interact mainly with Octavia.
  10. Expect to spend your one-week break between this episode and “We Will Rise” theorizing wildly about what will happen next!

The 100‘ season 4, episode 5 ‘We Will Rise’ airs Wednesday at 9/8c on The CW

Want more The 100 content? Check our our recent interview with actor Bob Morley, composer Tree Adams, language creator David J. Peterson and showrunner Jason Rothenberg!

Here are the rest of the promotional stills for “The Tinder Box,” via The CW:

How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

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How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

After confessing to both Michaela why Connor was at the house the night Wes died one of the many shocking reveals of the episode is made. “Connor might have killed Wes.” As it turns out, Connor showed up at the Keating home after responding to Annalise’s plea for them to all meet there. As he arrived he found signs of a struggle, and even more, Wes’s warm body in the basement.

Connor could smell gas, but still he persisted in trying to resuscitate Wes through CPR. For over a minute he cried and pounded on the dying boy’s chest until he heard a crack of bone, a fractured rib. He fears he might have punctured a lung. He fears he might have been the one to strike the deadly blow.

Once the confession is made the Keating crew reacts. Oliver pleads for understanding. Annalise reassures Connor that he didn’t do this. Bonnie tries to play mediator, keeping everyone calm. Finally Laurel, in a blindingly emotional rage, instructs Connor to go and kill himself. Saying such action will be the only good thing he will ever do with his life.

2. Annalise’s hidden voicemail

Connor and Oliver were adamant that nothing on the copy of Annalise’s phone was incriminated. Then why would she ask Oliver to erase it? Well when Connor is about to be arrested for Wes’ murder fans find out just what Annalise was so afraid of. he discloses to Denver the location of the copy, and Annalise comes forward with what she wanted to hide.

The night that Wes died he left her a voicemail, explaining ADA Atwood’s plan to take her down for the murder of Sam and Rebecca Stutter. His exact words are “I can’t let you go down for what I did.” He begs her to come home, to talk about it, to discuss their options. But he died before any arrangements could be made. In fact, he was taken down moments after the call was made.

What is truly shocking however isn’t the voicemail itself. The kicker is how Annalise uses the voicemail to pin it all on a new suspect to clear her own name. Wes. Out of context, the voicemail sounds like Wes is confessing to killing both Sam and Rebecca. Annalise is able to twist the story to make it look like Wes took his own life out of guilt. She tarnishes his reputation forever.

3. Oliver’s shocking request

After Connor answers the burner phone Denver used to stay in contact with Atwood throughout Wes’ death, he goes missing. He is caught by Denver and taken to a hidden location where he is held against his will.  While held, he is questioned about his involvement with Wes’ death. He is accused of murdering Sam. He is threatened to be held for more than the legal 48 hours.

Meanwhile, Oliver heightens to a frenzy. In a panicked state he obsesses about the whereabouts of his boyfriend. He brings up the severity of the situation almost every time his face shows up on our screens. While most (Laurel) believe that Connor has taken Wes’ immunity deal, Oliver remains convinced that Connor is in immediate danger.

He isn’t wrong. Connor is nearly arrested for the murder of Wes. Luckily, after the voicemail comes to light he is released. When he arrives home the two boys engage in a moment of passion, literally ripping the clothes off of each other. They talk about safety, moving to California, making babies, and loving each other forever. To Connor it’s all tied to the sex. To Oliver, however, it’s much more. He’s serious. He asks Connor to marry him.

4. Michaela’s oddly-timed confession

In the heat of everything going on Asher declares his love for Michaela. He calls this year the most awful of his life. He can’t let another moment go by without telling Michaela how he feels. As he spends a few tender moments showing Michaela his heart she pretends to hear Laurel from the other room. She effectively flees the situation.

Michaela doesn’t feel she can honestly answer that question. She doesn’t know. In fact, she doesn’t know if she has ever been in love. However, when it comes down to it, as Michaela has to pretend she wants to go home with Charles Mahoney she realizes something. She does love Asher. Or at least she thinks she does. That’s right, the girl who has always held her true intentions hidden deep inside finally opens up in a women’s public restroom, no less.

5. Wes’ murderer revealed

As the final episode of season 3 came to a close we felt pretty sure that the mysterious hitman was in cahoots with Denver. He never denied it, he almost seemed to confess as Annalise threatened to take him down. As she accused him of having a hand in Wes’ death in some way he seemed so guilty. It had to be him. The very last moments of the episode revealed a very different story, however.

As Laurel began to run down Charles Mahoney who awaited Michaela at a cab she ran into a similar face. Although, she and the audience had much different reasons for recognizing him. To her this man was Dominique, a family friend. To the audience he was the hitman who injected Wes with the lethal substance that took his life.

In one final flashback we see Connor running past the hitman’s car as he talks on the phone. He confirms that the deed is done. Wes is dead. But he doesn’t relay this news to Denver. He is speaking with Laurel’s father. The orchestrator of this all.

What moment stood out to you most in the ‘How to Get Away with Murder’ season 3 finale?