Let’s just get this out of the way: I’m a massive Coldplay fan. They were my favorite band throughout high school and the beginning of my college career; I own all of their albums on CD and vinyl, and I cried my eyes out the first time I saw them live in June of 2012. I love Coldplay.

It’s my love for the band that makes me feel even more disappointed by the fact that I’m not impressed by their new album, Ghost Stories, released in the States on May 19.

By this point, Coldplay fans and many non-Coldplay fans are aware of Chris Martin and Gwyneth Paltrow’s recent “conscious uncoupling,” and that knowledge is important to keep in mind when sitting down with this album. It is undeniably a breakup album, and along with that label comes the mournful lyrics and melancholy sounds that are so characteristic of the genre (and of Coldplay’s sound in general).

At times, the album is a beautiful, heart-wrenching ode to a lost relationship; tracks like “Midnight,” “Another’s Arms,” and “O” are tracks that will join the ranks of Coldplay classics. Martin’s vocals remain as crystal-clear and effective as they have ever been, the rest of the band’s instrumental work is remarkable (guitarist Jonny Buckland in particular shines on “True Love”), and – at times – the lyrics are moving and emotional (“got to find yourself alone in this world,” “fly on, ride through; maybe one day I’ll fly next to you”).

There are many occasions, however, when the album just doesn’t feel…right.

Coldplay’s first release from this album was “Midnight,” debuting in late February in a move that surprised all but the most in-tune Coldplay fans (some had been tweeting rumors of the song’s release for several days before it happened). The song, characterized by a relaxed vibe and heavy synths, is a new direction for the band, and it’s striking, somehow uniquely Coldplay and simultaneously entirely different from anything they’ve released in the past.

However, in one of the more disappointing aspects of the album, the band abandons this sound for the rest of the tracks. The heavy studio production and synthesizers are still there, but at no point in the album do they reach the tasteful and captivating usage that they do in “Midnight.” Indeed, on multiple occasions, the production becomes far too heavy-handed and detracts from the album’s beauty. Coldplay is typically at their best when they scale back the studio tricks and depend on their skill with their instruments and their songwriting (“Shiver,” “Amsterdam,” “Swallowed in the Sea”). The album’s highlight in this regard is the gorgeous “O,” which features only Martin’s mournful vocals and the accompanying piano. It’s the most memorable and genuine track on Ghost Stories, and it serves as a fantastic closer and a reminder of just how good Coldplay can be when they forego the studio tricks.

It is, of course, worth noting Coldplay is capable of producing and has produced many beautiful tracks with a high level of production (“Talk,” “Cemeteries of London,” “Clocks”). The issue with Ghost Stories is that it offers far too many tracks that are muddled with production that distracts from the music’s raw emotion and skillful instrumentation, and this is perhaps never so evident than with “A Sky Full of Stars,” a song co-produced with EDM legend Tim Bergling, better known as Avicii. The song is the album’s one major misstep; as a whole, Ghost Stories is a mediocre effort, but “A Sky Full of Stars” is the one track on the record that can be described as cringe-worthy.

Ghost Stories is not a terrible album. At times, it offers genuinely emotional, memorable tracks; at others, it provides overproduced songs with weak lyrics. The album isn’t a tragedy, but, much like preceding album Mylo Xyloto, it doesn’t reach anywhere near the band’s previous heights and ends up being an underwhelming work. Coldplay is a band that has repeatedly affirmed that they are capable of great things. They just don’t quite reach them with Ghost Stories.

My advice? If you’re a Coldplay fan, buy it on iTunes and give it a couple of listens. It isn’t worth rushing out to buy on vinyl, but you’ll likely find a couple of songs worthy of your “faves” playlist. If you haven’t listened to Coldplay much, go back to their first two albums, Parachutes and A Rush of Blood to the Head before judging them on Ghost Stories. And if you’re one of those people that hates Coldplay, skip the album entirely; it won’t change your mind.

How did you feel about ‘Ghost Stories’?

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?

Legion M president Jeff Annison introduces the first fan-owned entertainment company

"Opening the gates to Hollywood" with fandom-powered entertainment production.

2:12 pm EDT, August 24, 2016

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

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Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

The full interview is available to download here or via iTunes, or you can stream it below:

In the interview, Annison explains the mission of Legion M, which is to bring fans directly into the production process. Says Annison, “For the first time in history, we are architected to be built from the ground up to be owned by fans.”

With a ‘Legion’ of fan investors behind them, Annison believes that Legion M’s approach to selecting and developing projects will be very different from anything else we’ve seen in Hollywood.

Where usually creators will struggle to make their content stand out from the crowd, “bringing the audience into the process [of creating entertainment], we’ve already got a built-in audience,” Annison explains. “If you can have the audience of content be invested in content, it gives that content a competitive advantage.”

One of the key ways in which Legion M hopes to influence the creative industry is by opening the door for more diverse projects.

As Hollywood is so revenue-driven, oftentimes the ‘risk’ of letting a movie’s lead character be a woman, a person of color and/or a member of the LGBT community is simply considered too great. But Legion M, being owned by fans, has the opportunity to tip the scales. Because if the investors want more diversity and new kinds of stories, that’s exactly what they’re going to get.

“The reason that there are so many superhero movies and reboots and remakes… Hollywood’s figured out the formula. You pick something with an established fanbase, and if you make the movie you know it’s less risky because you know those people are gonna come see the next Superman movie,” says Annison. “Whereas if it’s an unknown story, you just don’t know. So we believe when you make the audience part of the process, these fans that are part of our studio … if you’ve got an audience that’s baked into it, that gives you so much more creative leeway.”

In practice, this means that Legion M, “could come up with a completely new and novel story that’s never been tried before, and know that it’s gonna have some success” — which means that it’d actually get produced, unlike many original ideas that come to Hollywood to die.

Further, fan owners of Legion M can experience unprecedented involvement with the creative process. Not only are they involved with selecting and developing projects, but, “our promise to our investors is that we’re gonna take you along for the ride. When we film a movie, we wanna live-stream from the set. When we have project opportunities, we wanna put them in front of you. We give the Legion a voice.”

To start with, Legion M is partnering with Seth Green and Matthew Senreich’s Stoopid Buddy Stoodios, which created Robot Chicken. Annison explains that they still have “dozens” of projects that networks have rejected, and Legion M is working on bringing some of them to life.

In terms of representation, Legion M doesn’t necessarily want to commit to a quota of diversity. Instead, where they expect to be able to influence Hollywood is at the “table” where these decisions are made — and, “because we’re owned by such a broad, diverse group of people, we’ve got a better shot than anybody else at being able to affect that change.”

As Annison explains: “Fans have the ultimate power. Our money is what makes this whole thing spin around. When we combine and come together, we’ve got all the power.”

Read more about Legion M and how to get involved on their website.

As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

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As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

Watch below:

The movie’s airport scene was easily one of the most delightful moments of the film, so we’re loving this extra dose of Stucky brilliance.

Need more? The Captain America Blu-ray, with a release date set for September 13, includes the following special features:

  1. United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
  2. Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
  3. Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
  4. Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
  5. Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of Captain America: Civil War.
  6. Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
  7. Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

The Digital HD version of Civil War will be released on September 2.