Authors always talk about how music influences their writing, and some authors even create soundtracks that they write to. Four authors, Quinn Loftis, Amanda Havard, Amy Bartol, and Chelsea Fine took it one step further by creating original music to go with their books.
The UtopYA 2013 Convention took place at the end of June in Nashville, TN. For the UtopYA Awards ceremony, Amanda Havard worked alongside three other young adult authors to write a song for each one of their books, including her own. These songs were performed at the Awards Ceremony at UtopYA by Amanda Havard and Erica Erwin.
There was such a response from the attendees, asking if they could get a copy of the songs that the four authors decided they would get them recorded and available for their readers. Now, we have the finished product and they are available for download, as well as videos to go along with them, up on YouTube.
Along with the music videos to check out we also have interviews with the four authors and a really cool giveaway.
Describe your book in 5 words
Quinn Loftis: Romance, action, werewolves, best friends, victory.
Amy A. Bartol: Wicked, damn, sexy, angel, love.
Amanda Havard: Supernatural, dark, demented, adventurous, addictive.
Chelsea Fine: Fountain of Youth. Forbidden love.
What is the hardest line to write- the first or the last?
Quinn Loftis: First.
Amy A. Bartol: For me, the hardest line to write is the first line. It sets the tone of the entire book. It’s the hook. You should know if you want to read the story after you read the first sentence, so…no pressure. I feel like the end always takes care of itself.
Amanda Havard: I’m sure it depends on the book, but I planned the opening sentence of each of the Survivors books in advance, so I guess the last lines are the ones that have taken a bit more effort to select.
Chelsea Fine: The first line! I’m always really nervous and careful about my opening lines.
What about music inspires you to write or what about writing inspires creating music?
Quinn Loftis: Music creates emotions, strong emotions and I’m able to use that emotion and put it into a scene.
Amy A. Bartol: Ernest Hemingway said, “There is nothing to writing, all you do is sit down at the typewriter and bleed.” If that is true, then to me, music is the razor blade. When I listen to music while I write, I find different worlds between the notes. Each song has a new tale that builds like floodwater. It helps me to abandon the logical part of my mind for a more creative, visceral one.
Amanda Havard: Music is a particularly emotionally-charged form of storytelling, and so it’s a natural pairing to other forms of storytelling. I love that the right song is a soundscape; it’s the soundtrack to the movie scene going in my head when I write, and so it helps me set the tone, get the mood, imagine the faint but important details, and really situate characters in the moment. And when I write music for books, it works in reverse. I’m harnessing the scene and channeling it back into sounds. The whole thing is a cyclical kind of creative magic for me.
Chelsea Fine: When I listen to music, I can “see” my story playing out — kind of like a music video — and it makes my characters and setting come to life in my mind.
Best writing tip you’ve ever received?
Quinn Loftis: Write every scene so that when it ends the reader is thinking I have to know what’s going to happen next, the entire book should be written so that the reader is constantly saying this.
Amy A. Bartol: Be yourself; everyone else is already taken. –Oscar Wilde. (He didn’t actually tell me that personally, I sort of read into it.) *wink*
Amanda Havard: Write the story you know you must. (A close second, an ever-important truth: Every debut writer makes the same point three times. Find the one way to say it best, and cut the others.)
Chelsea Fine: Write your heart out and be fearless! Both are hard to do, but incredibly important to my storytelling. I write what I feel, and then I have to trust myself enough to let other people read it — eeek! But it’s SO worth it!
What one young adult novel do you wish you had when you were a teen? Why?
Quinn Loftis: Onyx by Jennifer L Armentrout, because it’s an extremely unique and intriguing idea and a wonderful escape with great characters.
Amy A. Bartol: I wish I had the novel I Am The Messenger by Markus Zusak when I was a teenager. The story is about Ed Kennedy, an underage cabdriver who has a coffee-drinking dog named The Doorman and a secret crush on his best friend Audrey. Ed has a peaceful routine until the day he inadvertently stops a bank robbery. After that day, Ed becomes the messenger.
The book, written in the first person present tense, is funny and heart pounding and sad and euphoric. It reads like you can step into Ed’s shoes, breathe his air, and see what he is seeing. In short, it’s amazing. There is a message at the end of the story that when I read it, struck me as if it had been written just for me. It says: “Maybe everyone can live beyond what they’re capable of…I’m not the messenger at all. I’m the message.”
After reading it, I knew instantly that I had to try to write a book because maybe I was able to live beyond what I always thought I was capable of. If I had read that novel when I was a teenager, maybe I would’ve started writing earlier.
Amanda Havard: Prep by Curtis Sittenfeld. I doubt anyone marketed that as YA as it’s adult literary fiction, but it’s about a high school girl whose experiences were similar to my own at that age, and when her character was being an idiot, I probably could have used reading about it to realize I was being the same kind of idiot. I read it as an adult, and even then it still hit close to home. I wonder if I wouldn’t have figured out more about myself sooner if I’d had such an honest reflection in text. (Sittenfeld is my favorite author, by the way. If you haven’t read her, then you must. Every now and again, we all ought to reach our hands into the waters of literary fiction and see things through a different lens than we typically do.)
Chelsea Fine: Divergent by Veronica Roth. Growing up, I felt like Tris — like I belonged somewhere else, or could be awesome at something else, I just didn’t know what. When I read Divergent, I was like, “Yes, Tris! You don’t need to be Abnagation. You can be anything you want! Go for Dauntless!” I wish I had experienced that kind of bravery when I was a teenager. But I guess it’s never too late to become who you were meant to be… ;)
From Quinn Loftis’ PRINCE OF WOLVESA Mate, A Match, A MarkiTunes Download – http://bit.ly/MateMatchMarkVideo – http://bit.ly/MMMVidFrom Amy A. Bartol’s The Premonition SeriesDarkness In the LightiTunes Download – http://bit.ly/DarknessLightVideo – http://bit.ly/DarknessVideoFrom Chelsea Fine’s Archers of Avalon SeriesElectricityiTunes Download – http://bit.ly/
ElectricitySongVideo – http://bit.ly/ElectricityVidFrom Amanda Havard’s The Survivors: BODY & BLOODHumaniTunes Download – http://bit.ly/HumanSongVideo – http://bit.ly/HumanVid
The giveaway includes 1 soundtrack and 1 signed copy of each book, to coincide with the soundtrack, and 1 ticket to UtopYA 2013 which Includes:
-3-day pass for Conference,
-fan admission to Public Book Signing event,
-general admission to Third Annual utopYA Awards & Afterparty,
-admission to Sunday Write-In.
Airbender and Korra