Check out Part 1 and Part 2 if you missed them!

All of the GIFs were made by me for this article. Feel free to do anything with them that you like. You are welcome to credit me, but I don’t mind at all if you don’t.

14. ‘Intervention’ (season 5, episode 18)

I won’t apologize for the fact that this is just turning into a big Spike-a-thon. And I definitely won’t apologize for my complete and unabashed love for Buffybot. Watching Sarah Michelle Gellar play Buffybot splits my sides, especially her oversexed interactions with Spike that earn her some pretty weird looks from the rest of the Scoobies. The character descriptions that Spike has programmed into his robo-Slayer are beyond ridiculous in their succinctness: Willow is recently gay, Anya loves money, and Angel is bloody stupid. Yes, Spike may spend a large part of the episode getting his ass beat, but he still manages to look hella good. We also get our first genuine Spuffy kiss – ouch my feels!

15. ‘Life Serial’ (season 6, episode 5)

Who doesn’t love a time loop? Me, Andrew, Star Trek, Supernatural, and The X-Files to boot. A lot of people hate the trio, but with the exception of Warren the actual dick, I find them extremely amusing. Watching Buffy try her hand at various brands of normalcy is somewhat painful, but also comic gold. All her hard work deserves shots with Spike, followed by a delightful round of kitten poker featuring Clem a.k.a. my favorite bit character of all time. Please google James C. Leary – I met him one time and you will hardly believe it.

16. ‘Tabula Rasa’ (season 6, episode 8)

I recognize that a couple of really bummer things happen in this episode, but in the middle of those things is one of the funniest spells-gone-wrong incidents in the Buffyverse. Spike/Randy screaming like a big girl, Giles and Anya making out, and some unintentional, I’m sure, ribbing of Angel. Memory loss is always good for a laugh, but I give fair warning that the consequences of this magical screw-up is a whole lot of feels.

17. ‘Gone’ (season 6, episode 11)

Sometimes the plots on this show get a little bit stupid. But I confess that I find the stupid episodes to be awesome if you can just roll with the silly. This makes me capable of enjoying some of the “worst” (according to some people) episodes – “Beer Bad,” “Doublemeat Palace,” “Bad Eggs.” I love the good and the bad of Buffy, sorry not sorry! So I don’t think Buffy getting blasted with an invisibility ray is that bizarre by a long shot. What isn’t there to love about an episode with a cute new do and naked push-ups? And regardless of what dumb villains they are, the nerds usually make me smile with their comic-esque antics.

18. ‘Older and Far Away’ (season 6, episode 14)

I would guess that I have watched this episode more than any other episode of this show. I love everything about if from top to bottom. I like that all of the characters are forced to be in one location for almost the whole episode – including Clem! Almost every line seems “quotable” and the shameless interactions between Buffy and Spike have me tee-hee-hee-ing all the way through. In addition to hearing about the cramp in Spike’s pants, the truth about Dawn’s kleptomania finally comes out. I loathe Dawn as a character and I love seeing bad things happen to her, so it is definitely a bonus. And I love the acknowledgement that Halfrek and Spike knew each other when they were both human.

19. ‘Selfless’ (season 7, episode 5)

Anya is one of the few characters I have never actually heard anyone say that they dislike. I don’t really understand how you could dislike her brand of pure, unfiltered candor. This episode also has a lot of dark moments, but I still love to watch it because it gives us so much information about a character we somehow don’t know that much about despite her being around for five seasons. Seeing Olaf and D’Hoffryn and Halfrek in Anya’s past really makes me thing about how amazing this show is in terms of attention to detail and callbacks to previous episodes. We are also reminded of what an asshole Xander was that one time in Becoming, but lucky for him so much is going on that no one really addresses it.

20. ‘Storyteller’ (season 7, episode 16)

Andrew is another divisive character, but this Whedonite has nothing but love for him and his ambiguous sexuality. He transforms the episode into a meta-mockumentary that someone who has seen this entire show cannot help but enjoy. The fact that Buffy can laugh at itself so easily and so accurately is one of the reasons it has stood the test of time. Yet despite all the ridiculousness, it still manages to be moving and redemptive in the end.

Thanks to everyone for all of your comments! I’m always available for further Buffy fangirling on my Tumblr.

Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

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Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

Original story (May 2016): Heroic Hollywood, who has a good record of breaking superhero news, is the source behind the exciting development. As was previously announced, the animated Spider-Man movie will be produced by LEGO Movie helmers Phil Lord and Chris Miller. The duo are also set to direct the Star Wars Han Solo spinoff for Lucasfilm.

Who is Miles Morales? As we wrote in a lengthy tell-all about the character last year:

Miles Morales is the current Spider-Man in Marvel’s Ultimate Comics series. Introduced in 2011, Miles is a black-hispanic young man who, like Peter Parker, is a talented scientist and self-proclaimed nerd. However, unlike his predecessor, Morales steps into the superhero’s shoes at the surprisingly young age of 13.

Raised in Brooklyn, Miles was born into a family plagued by criminal activity. Before settling down with his wife Rio, Miles’s father Jefferson used to be crime partners with his brother Aaron (Miles’s uncle). However, where Jefferson tried to shrink away from the lifestyle, Aaron continues to embrace it — assuming the role of classic Marvel villain the Prowler. After pulling off a heist on Oscorp, Aaron unknowingly takes a genetically modified spider home with him. It is at Aaron’s house that Miles is bit by the spider and starts the transformation into Spider-Man.

Where Peter Parker relished the opportunity to become spidey, Miles is reluctant to enter the world of vigilantism. What’s more, his family’s criminal history causes him to question whether or not he can ever be a hero, or if evil is hardwired into him.

Oh, and one other cool thing about him: The guy is immortal, unlike the Peter Parker version of Spider-Man.

Related: Who is Miles Morales? We explain everything

The rumor mill was alive with chatter about the MCU’s Spidey being the Miles Morales version last year, but obviously those reports never panned out. The Peter Parker version of Spider-Man was introduced in Captain America: Civil War, played by Tom Holland. He’s getting his own spinoff film, Spider-Man: Homecoming, next year.

Telling the Miles Morales story on screen may be just the thing the animated Spider-Man movie needs in order for it to draw people into the theaters in December 2018. We’ve had enough Peter Parker stories!

2018 will be a great year for super hero diversity: Marvel’s Black Panther starring Chadwick Boseman will be released a few months earlier.

‘The Space Between Us’ set report: What if a human was born on Mars?

Hypable visited the set and spoke to the film's stars.

12:00 pm EST, January 17, 2017

Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

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Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

He never would’ve guessed what was going to happen when he spoke to them.

“I called a group of NASA scientists and said, ‘So what would happen if an astronaut turned out to be pregnant on a flight to Mars?’ and there was just silence on the other end of the call. And they said, ‘Are you listening to our phone calls?’ I said, ‘No, I’ve never spoken to you in my life.’ And they said, ‘It’s going to happen, and we don’t know what to do.'”

That was when he teamed up with screenwriter Allan Loeb and started fleshing out an answer. “I thought, wow, that’s the beginning of an interesting story.” Lewis even worked with his father, a heart specialist, to examine how that muscle would develop differently on Mars, and aspects of this research became a big part of the story.

The Space Between Us is an interplanetary adventure following a human boy named Gardner Elliot (Asa Butterfield) born on the distant red planet. His mother, an astronaut, only realized she was pregnant with Gardner after leaving on her mission to colonize Mars.

Once Gardner reaches his teenage years he becomes interested in leaving East Texas (yep, on Mars) and returning to the home of his species. Not only is he curious about Earth, but Gardner has also fallen for a girl named Tulsa who’s literally tens of millions of miles away in the state of Colorado. The two met online and can relate over their outsider perspectives.

There’s just one problem: Tulsa doesn’t realize that Gardner is literally living on Mars.

Hypable visited the Albuquerque, New Mexico set of The Space Between Us starring Butterfield, Robertson, and Gary Oldman in late October 2015. On the day we visited, Asa, Britt, and crew were at the tail end of their 37-day shooting schedule which took them through New Mexico, Las Vegas, and Malibu.

It was Day 31, and indoor and outdoor shoots were taking place at Highland High School located in the southeast quadrant of Albuquerque. Since it was a weekday, real classes were in session as Asa and Britt shot outdoor scenes.

The real students who walked by the production had mixed reactions. Some watched and Snapchatted the excitement, while others passed by as if a Hollywood production wasn’t filming right before their eyes. Later in the day, after the real students went home, production moved inside the school to shoot a scene where Gardner and Tulsa meet in person for the first time. It’s one of the more touching moments in the movie.

Earlier, Asa walked into our press tent carrying a drone in tow. He had recently purchased it to try and capture aerial footage for fun, and was learning how to operate it in between filming his scenes.

Both the aerial device and Gardner struggle to deal with Earth’s gravity.

When asked how he handles playing a character who has never been on Earth before, Asa describes it as a very unique experience. “It’s hard to put yourself in that kind of position because we [as humans] are so experienced in the world, and to completely strip all that back and be absolutely in awe at everything you see — a tree, a doorman — everything’s interesting,” he says.

space-between-us-asa-britt

Tulsa (Britt Robertson) experiences zero gravity with Gardner (Asa Butterfield).

Living on Mars your whole life doesn’t mean you’re missing hormones, so girls are also of interest in Gardner. On the relationship between his character and Tulsa, Asa tells us, “They both have this longing desire for being somewhere. Belonging somewhere. Tulsa’s been jumping around through various foster homes, she’s never really settled anywhere. Gardner spends his life on Mars. No one knows he exists. They’re kind of united by this experience.”

“He’s an alien, and she’s an alien, and this is the journey of the story,” Lewis tells us. “Watching these two characters connect, and the disconnects, the misunderstandings, and then ultimately they have a connection.”

Those good and bad connections were present in the scene we observed, which finds Gardner surprising Tulsa in her school hallway. As someone who is tough and reserved, Tulsa is understandably frustrated by Gardner’s sudden appearance. The two still haven’t communicated well with one another — Adorably, Tulsa is unaware that when he says he’s from “East Texas” he means the establishment on Mars.

With Gardner now on earth, the two begin to form a close bond as the Mars-born boy tries to discover his roots.

Co-starring in the movie is Gary Oldman, whose character originally organized the trip to Mars. He wasn’t on set the day we visited, but the actor has a very important role in the movie.

The Space Between Us opens in theaters February 3, 2017.

‘Rogue One’s’ best scene doesn’t involve the heroes

It's a nameless character who saves the day.

8:15 am EST, January 17, 2017

Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

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Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

This character has no name, and we know nothing about him beyond this scene. But faced by the most fearsome threat and terrible odds, he abandons fighting and uses his dying moments to get the plans across the doomed ship, and to Princess Leia.

It’s not common to see a scene like this one – scenes that convey the power of the collective action of many people across different areas – done so skillfully, especially in movies that are so character-driven.

In Star Wars, we’ve always focused on Luke and Leia and Han, and more recently on Rey, Finn and Poe. Although we knew that the Rebellion was the fruit of the efforts of many, we never had such a clear look into just how many lives were involved.

Rogue One the Rebellion

This final scene brings it all together, tying together the various storylines we know in an epic finale, and finally connecting them to Episode IV in a perfect mix of excitement and nostalgia. Without this character, driven by desperate hope rather than fear of his imminent death, Rogue One’s mission would not have ended successfully, Leia would have never received the plans… and none of the story we already know would have taken place.

For once, it was a character whose face we didn’t even see properly, dressed just like everyone else, fulfilling his own small role in a much bigger mission, who saved the day.

This ending, maybe even more meaningfully than the stories of the heroes we know and love, shows us the very essence of the Rebellion: a movement of dedication and sacrifice, full of people like the ones that died on Scarif, that put themselves between the plans and Vader, that drove the mission to success in their dying moments – and that stopped the race to save their own lives in favor of securing the mission’s objective.

We, as the audience, can find ourselves in the nameless rebel soldier and his sacrifice – a realistic and emotional portrayal of what makes any movement for change possible: the sacrifices of a vast number of people whose names and faces we may never know, whose stories may never be recorded, but whose lives were spent in search of a better future for the generations that follow.

What scene in ‘Rogue One’ impacted you the most?