The top 8 contestants tackled Detroit’s finest this week, with the help of guest mentor and Motown legend Smokey Robinson. However, not everyone was up to the challenge.

American Idol celebrated judge Mariah Carey’s 43rd birthday with a night full of the very best music Detroit has to offer. The Motown classics proved to be too much for some of the contestants, while others rose to the occasion. The judges didn’t pull any punches with their critiques of last night’s performances, which did not always go over well.

Top 8 Performances

Candice Glover

Twitter: @CandiceAI12

Front-runner Candice started off the night with Marvin Gaye’s “I Heard It Through the Grapevine.” Her performance started out slow and bluesy, with a saxophone accompaniment, but built to a rocking conclusion. The judges praised her vocal control in particular: that she can do the big belty notes and runs, but knows when to hold back.

Lazaro Arbos

Twitter: @LazaroAI12

Lazaro’s had a tough few weeks, and this was his big opportunity to shine. He chose Stevie Wonder’s “For Once In My Life,” which was a better song choice than those he’s made recently, but still not great. The judges commended him for listening to their critiques, and for following his heart this week and choosing a song that he felt he had more of a connection to.

Janelle Arthur

Twitter: @JanelleAI12

Country girl Janelle chose to do an arrangement of The Supremes’ “You Keep Me Hangin’ On” that she had arranged herself, when she was 14 years old. This performance had less of the country sound we’re used to from Janelle, and more of an ’80s pop-rock sort of drama. The judges agreed it was one of her best performances.

Devin Velez

Twitter: @DevinAI12

After two straight weeks in the bottom two, Devin really needed to pull out a great performance to save himself this week. Mentor Smokey Robinson’s own “Tracks of My Tears” was an excellent choice. Devin’s smooth voice was enough to carry the classic song, but he added just enough of his own personality to it. If he ends up in the bottom two again this week, America is officially crazy.

Burnell Taylor

Twitter: @BurnellAI12

Looking almost unrecognizable in a slick white suit and without his signature glasses, Burnell took on the Stevie Wonder classic “My Cherie Amour.” Even though he wrang every bit of French out of the title phrase, Burnell’s performance was pretty good. The judges didn’t seem wowed by it, though they did continue to praise his uniqueness, and the interesting choices he makes in his performances.

Angie Miller

Twitter: @AngieAI12

Angie tried a sexy performance this week, and it did not go over well with the judges. Singing “Shop Around,” another classic by Smokey Robinson and The Miracles, Angie shimmied uncomfortably across the stage in a tight blue dress. The judges questioned her decision to try on this new personality, when there was no problem with the old one, and called her out for being pitchy.

Amber Holcomb

Twitter: @AmberAI12

As the big surprise in the bottom three last week, judges’ favorite Amber had to pull out a big performance this week to avoid the same fate. She chose Stevie Wonder’s “Lately,” and gave a beautiful performance. She brought all four of the judges to their feet, with Mariah even calling her performance a “tour de force.” Hopefully America’s realized the error of their ways and will save Amber this week.

Kree Harrison

Twitter: @KreeAI12

Bluesy country girl Kree took on Aretha Franklin’s “Don’t Play That Song,” but seemed to lose some of her usual luster when she made it to the stage. Perhaps more distracted by the feat of shuffling around the stage in her super-high super-sparkly stiletto heels, she seemed sort of dead-eyed and nervous. But this didn’t stop the judges from praising her, and assuring her she’ll be back next week.

Group Performances

The contestants broke up the night with some group performances, to mixed results.

Kree and Janelle’s performance of Madonna’s “Like A Prayer” resulted in Kree sailing ahead and leaving Janelle in the dust. The judges couldn’t praise Kree enough, and made it clear to Janelle that, in this performance at least, she was out of her league.

Angie, Candice, and Amber did their best Supremes impression with “I’m Gonna Make You Love Me.” Before the performance, Ryan asked them which of the three was the Diana Ross of the group, and they all sort of hesitated and giggled. But the performance itself left no question that Candice is obviously the Diana. Not only was she the center of the trio, but she got to show off all the best vocal acrobatics.

Burnell, Devin and Lazaro performed The Four Tops’ “I Can’t Help Myself,” and it did not go so well. While Burnell and Devin each turned in a good performance, Lazaro obviously had no idea what he was doing. He didn’t know the words, the arrangement, or even the choreography. He then had the nerve to seem annoyed at being blamed for their terrible performance.

This is not the first time Lazaro has been outwardly annoyed by the judges’ critiques, and acted rudely. Viewers have not responded well to such attitudes in the past, and it seems pretty likely that between his continued bitterness, and his mess of a performance, Lazaro will be the one to go home.

Find out which contestant is eliminated Wednesday night at 8/7c on Fox.

What did you think of this week’s Motown theme? Which performances were your favorites?

DCOM marathon schedule: See full list of movies and when they air

The mega marathon begins Friday, May 27 and runs into June!

10:00 am EDT, May 27, 2016

The highly-anticipated Disney Channel Original Movie marathon began Friday, May 27 at 10 a.m. eastern and runs through the holiday weekend. See the complete DCOM marathon schedule here!

When Disney Channel says they’re running a DCOM marathon, they mean it. The network will be airing 51 DCOMs from Friday to Monday ahead of this summer’s release of their 100th DCOM, Adventures in Babysitting (debuting June 24). Who needs Memorial Day festivities when you can sit inside and enjoy Disney Channel classics all weekend?!

After Monday they’ll continue to air a couple more movies every night until they eventually air all 100 DCOMs. That’s right! Every single one of ’em is returning to television between now and late June.

Below is the complete list of DCOMs airing from Friday, May 27 into the middle of June. Since many are airing in the overnight hours, you’ll probably want to set up your DVR. Or in case you want to watch them again. And again.

DCOM Marathon Schedule

Friday, May 27

10:00AM Kim Possible Movie: So the Drama
11:20AM Read It and Weep
12:55PM Wendy Wu: Homecoming Warrior
2:40PM Jump In!
4:15PM Lemonade Mouth
6:15PM Zapped
8:00PM High School Musical 2
9:55PM The Cheetah Girls 2
11:45PM Zenon the Zequel
1:25AM Halloweentown II: Kalabar’s Revenge
2:55AM Twitches Too
4:25AM Alley Cats Strike!

Saturday, May 28

6:25AM You Wish!
8:05AM The Proud Family Movie
9:50AM Quints
11:25AM Horse Sense
1:10PM Cow Belles
2:50PM Twitches
4:30PM The Even Stevens Movie
6:15PM Wizards of Waverly Place The Movie
8:00PM Camp Rock 2: The Final Jam
9:50PM Princess Protection Program
11:30PM The Cheetah Girls: One World
1:05AM Zenon: Z3
2:40AM Halloweentown High
4:20AM The Thirteenth Year

Netflix DCOMs High School Musical

Sunday, May 29

6:00AM Right On Track
7:45AM Full-Court Miracle
9:35AM Eddie’s Million Dollar Cook-Off
11:20AM Brink!
1:10PM Double Teamed
2:55PM Rip Girls
4:35PM Motocrossed
6:20PM Cloud 9
8:00PM Teen Beach 2
9:55PM Bad Hair Day
11:40PM How to Build a Better Boy
1:20AM Pixel Perfect
2:55AM The Other Me
4:30AM Genius

Monday, May 30

10:00AM Stuck in the Suburbs
11:30AM Halloweentown
1:05PM Zenon, Girl of the 21st Century
2:55PM Smart House
4:25PM High School Musical
6:15PM Camp Rock
8:00PM Descendants
10:05PM Teen Beach Movie
11:55PM Cadet Kelly
1:50AM The Cheetah Girls
3:35AM Johnny Tsunami

Camp Rock DCOM

After Memorial Day Weekend, Disney Channel will air two more DCOMs each night. Here’s the schedule so far (again, set your DVRs because these air late!)

Wednesday, June 1
12:00AM Return to Halloweentown
1:40AM Can of Worms

Thursday, June 2
12:00AM Going to the Mat
1:40AM Miracle in Lane 2

Friday, June 3
12:00AM The Suite Life Movie
1:40AM Ring of Endless Light

Saturday, June 4
12:00AM Invisible Sister
1:40AM Now You See It…

Sunday, June 5
12:00AM Girl vs. Monster
1:40AM Phantom of Megaplex

Monday, June 6
12:00AM Tru Confessions
1:40AM Tiger Cruise

Tuesday, June 7
12:00AM Mom’s Got a Date with a Vampire
1:40AM Under Wraps

Wednesday, June 8
12:00AM Den Brother
1:40AM Go Figure

Thursday, June 9
12:00AM Avalon High
1:40AM Jett Jackson: The Movie

Friday, June 10 and beyond
As of right now Disney Channel hasn’t released the schedule beyond June 10.

Which DCOMs do you plan to watch during the Disney Channel Marathon?

Next week we’ll be launching a fun new game here on Hypable where we’ll seek your help in ranking every single DCOM in the history of DCOMs. It’s probably a good idea to watch as many of these as possible so you can brush up on your knowledge base and rank them accurately!

James Cameron’s Battle Angel adaptation has found its lead in Maze Runner standout Rosa Salazar.

According to Collider, Salazar has been officially confirmed as the lead in Alita: Battle Angel, beating out Maika Monroe and Zendaya for the titular role. The manga adaptation was developed by James Cameron, and will be directed by Robert Rodriguez.

Battle Angel Alita is a manga series by Yukito Kishiro, which takes place in the 26th century and follows a cyborg girl with amnesia. Designed with spectacular martial arts skills, Battle Angel becomes a bounty hunter, who makes a living tracking down violent criminals.

As Brenda in Maze Runner: The Scorch Trials and Lynn in Insurgent, Rosa Salazar is already well-known in dystopian YA circles. She’s also had recurring roles in Parenthood and American Horror Story, and you can currently catch her in FXX’s Man Seeking Woman.


James Cameron has been tinkering with this project for a while, but his extensive and all-consuming work on the Avatar sequels led him to hand over directorial duties to Robert Rodriguez last year. Rodriguez previously served as showrunner on From Dusk Till Dawn (after directing the movie of the same name in 1996), and his versatile directorial resumé includes Sin City, Spy Kids and The Faculty.

When Cameron picked Rodriguez as Battle Angel director, he said in a statement, “Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel. He’s very collaborative and we’re already like two kids building a go-kart, just having fun riffing creatively and technically.

“This project is near and dear to me, and there’s nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We’re looking forward to learning a lot from each other while we make a kick-ass epic.”

Alita: Battle Angel has no release date yet, but we’ll keep you posted. Here’s the official synopsis from IMDb:

“Alita is a creation from an age of despair. Found by the mysterious Dr. Ido while trolling for cyborg parts, Alita becomes a lethal, dangerous being. She cannot remember who she is, or where she came from. But to Dr. Ido, the truth is all too clear. She is the one being who can break the cycle of death and destruction left behind from Tiphares. But to accomplish her true purpose, she must fight and kill. And that is where Alita’s true significance comes to bear. She is an angel from heaven. She is an angel of death.”

Harry Potter and the Cursed Child is set to continue Harry, Ron and Hermione’s story. Downside: The characters that survived Deathly Hallows are suddenly no longer safe!

Details about Cursed Child, the Harry Potter play opening in London next month, are being kept tightly under wraps.

But one teaser J.K. Rowling did let slip? It’s designed to make you cry.

Answering the Twitter question, “Will the Cursed Child make me cry?” Rowling strongly implied that the answer is yes — “or we’ll be checking your vital signs.”

Bombarded with worried follow-up questions, Rowling (randomly) chose to answer “why are you like this” by reminding fans of what she believes her primary responsibility is as an author: To make us feel things.

Of course there’s no reason to assume the “OMG RON IS DEFINITELY DYING AKSDJFSHFJ” position (even if that is the first instinct of this writer), but it is an indisputable fact that for many authors — Rowling included — evocative storytelling is synonymous with, “I’m going to make you love something, and then I’m gonna kill it.”

Cursed Child takes place 19 years after the conclusion of the Harry Potter saga. Not only are there many elderly characters we might reasonably fear for (including McGonagall, Hagrid, and Molly and Arthur Weasley), but J.K. Rowling’s Potter series has set a strong precedent for killing off parental figures to usher in a new generation of characters.

Related: England’s biggest bookstore announces first Cursed Child midnight release party

On the other hand, we could just be traumatized by the original Potter series, and everything is actually gonna be fine. Maybe J.K. Rowling simply expects us to cry tears of happiness because we get to return to the fantastic, magical world she has created.

What do you think? Is someone we love dying in Cursed Child, or will the plot make us emotional in other ways?