American Horror Story: Coven episode 12 “Go To Hell” lives up to its title, and you cannot imagine who will not return this season! Read our full recap below!

American Horror Story: Coven‘s second-to-last chapter set a high bar for next week’s finale. Hell welcomes a few new members this evening, while firing the gun for a cut-throat race for the next Supreme.

The Seven Wonders: The witches of the Coven are getting stronger. There is no denying that Madison’s ability to perform transmutation, Queenie’s resurrection skills, and each girl’s power to use telekinesis leaves no clear sign as to who will rise as the next Supreme. The one to take the challenge and perform the Seven Wonders will either prove herself to the Coven, or die trying. The Seven Wonders are as follows: Telekinesis, Concilium, Transmutation, Divination, Vitalum Vitalis, Descensum, and Pyrokinesis.

“Seven acts of magic so advanced, each pushes the boundaries of craft into art.” A quote from the introductory video to the Seven Wonders casts beauty onto a task built up to be nothing more than an attempt to overthrow a vindictive leader.

Decensum: Papa Legba, a deity worthy of respect in Queenie’s eyes, resides in the afterlife. Performing the task of decensum, a descent into the nether world, Queenie catches a glimpse of her personal hell: Chubbie’s Chicken where her future and power were non-existent. Papa Legba, impressed with her abilities to visit so soon, offers to chat about Marie once she makes it out alive. In a less than dramatic 180-degree turn, Queenie returns to her room, chatting with Papa Legba over hot cocoa. Marie’s body, which is scattered about the city thanks to her “buttermilk biscuit” enemy, is no longer able to fulfill her debt. Thus, the immortality bond between Delphine and Marie turns moot and Delphine’s life is up for grabs.

Pearls of Wisdom: The tour of Madame LaLaurie’s torture chamber at the opening of the season earns a rewrite at the close. Clad in a dress suit, pearls, and sporting a fashionable new hairdo, Delphine debunks the myths of the household to tourist groups after hearing the atrocious story. She reduces the attic that once held horrors to a storage room where a misunderstood visionary gained the reputation of a savage. Besides, who would waste time above the house when fabulous parties are occurring downstairs? Delphine admits to killing 62 slaves (she kept a ledger), not 150, but adds a tour guide with a misconception to the list.

Disappointed tourists exit, leaving Queenie a minute alone to offer Delphine one last chance to change, to repent. But Delphine sees that public humiliation, shedding a tear, and apologizing are what make the world weak. “The magic box” shows her the troubles of Anthony Weiner, for example. There is no remorse, only hypocrites looking for acceptance back into society. Her valid commentary on this does little to convince Queenie. She stabs Delphine in the heart with her own weapon, leaving her to die where her fascination began.

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The Long Goodbye: Cordelia’s drastic measure to regain the “the sight” appears to be for nothing when she can neither read Madison nor discover Misty’s whereabouts. It is through a conversation with her mother that she discovers her gift never left her. Fiona, fresh off of having her portrait painted, realizes it is time to say goodbye. As Fiona wraps a family heirloom around Cordelia’s neck, a vision of horror flashes before her. Each lady of the Coven, including herself, lies dead throughout the house.

Cordelia takes this knowledge to the person it will hurt the most, the Axeman. The man whose music casts away any ill fortune learns the woman he fell in love with plans to leave him in two days’ time. Fiona confesses that once the deed is complete, she will have 30 good years to live abroad, inviting herself into the homes of kings, until another Supreme begins to rise. A delightful distraction, a fond memory; that is all the Axeman offers to her anymore.

Vitalum Vitalis: Cordelia’s mission to find Misty becomes more urgent with the impending Coven massacre. Queenie breaks open the tomb and revives Misty with just enough grace and ease to place her at the top of the Supreme running. Madison finally gets her ass handed to her at the physical outburst brought on by Misty’s return. When push comes to shove, however, the ladies of the Coven band together, including Zoe, who recognizes the strength of her powers in Orlando (including the ability to wear a pea-coat in ORLANDO). An intruder cloaked in blood wielding an ax makes a move at them, but is tossed back. “You picked the wrong house.” Indeed.

The Axeman enters the house fresh from a kill, ready to take out all the women responsible for his unhappiness. His first victim is Fiona Goode. Cordelia’s vision at the touch of the blood shows Fiona admitting her plan to leave New Orleans and the Axeman’s blade stabbing her back numerous times before feeding her to the alligators in the swamp. There is no bringing someone back from that mess. Stabbing the Axeman to death, the ladies ensure he does not escape the fate that was brought upon him years ago under the same roof.

American Horror Story: Coven

Personal Hell: LaLaurie’s hell traps her in the cages of her attic at the mercy of the slaves she once tortured. Feet away from her daughter, LaLaurie cannot protect her from the horrors that Marie Laveau has in store. Papa Legba meshes their hells: another eternity together. Marie tortures Delphine’s daughters against her will, forcing them to drink blood and assaulting them with fire pokers. Though Marie lived her life protecting hoards of people, her sins are not atoned for in this lifetime.

Supreme Rising: The portrait of Fiona rises to the wall and nice words pass through the room. Insincere, but nice nonetheless. Fiona was a force to be reckoned with and an awful Supreme to live under. But Fiona is the past, and the question now turns to the ladies: Who is the future?

Watch the season finale of American Horror Story: Coven Wednesday, January 29 at 10 p.m. ET on FX

Who will exit ‘American Horror Story: Coven’ with the Supreme title?

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?

Legion M president Jeff Annison introduces the first fan-owned entertainment company

"Opening the gates to Hollywood" with fandom-powered entertainment production.

2:12 pm EDT, August 24, 2016

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

Read full article

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

The full interview is available to download here or via iTunes, or you can stream it below:

In the interview, Annison explains the mission of Legion M, which is to bring fans directly into the production process. Says Annison, “For the first time in history, we are architected to be built from the ground up to be owned by fans.”

With a ‘Legion’ of fan investors behind them, Annison believes that Legion M’s approach to selecting and developing projects will be very different from anything else we’ve seen in Hollywood.

Where usually creators will struggle to make their content stand out from the crowd, “bringing the audience into the process [of creating entertainment], we’ve already got a built-in audience,” Annison explains. “If you can have the audience of content be invested in content, it gives that content a competitive advantage.”

One of the key ways in which Legion M hopes to influence the creative industry is by opening the door for more diverse projects.

As Hollywood is so revenue-driven, oftentimes the ‘risk’ of letting a movie’s lead character be a woman, a person of color and/or a member of the LGBT community is simply considered too great. But Legion M, being owned by fans, has the opportunity to tip the scales. Because if the investors want more diversity and new kinds of stories, that’s exactly what they’re going to get.

“The reason that there are so many superhero movies and reboots and remakes… Hollywood’s figured out the formula. You pick something with an established fanbase, and if you make the movie you know it’s less risky because you know those people are gonna come see the next Superman movie,” says Annison. “Whereas if it’s an unknown story, you just don’t know. So we believe when you make the audience part of the process, these fans that are part of our studio … if you’ve got an audience that’s baked into it, that gives you so much more creative leeway.”

In practice, this means that Legion M, “could come up with a completely new and novel story that’s never been tried before, and know that it’s gonna have some success” — which means that it’d actually get produced, unlike many original ideas that come to Hollywood to die.

Further, fan owners of Legion M can experience unprecedented involvement with the creative process. Not only are they involved with selecting and developing projects, but, “our promise to our investors is that we’re gonna take you along for the ride. When we film a movie, we wanna live-stream from the set. When we have project opportunities, we wanna put them in front of you. We give the Legion a voice.”

To start with, Legion M is partnering with Seth Green and Matthew Senreich’s Stoopid Buddy Stoodios, which created Robot Chicken. Annison explains that they still have “dozens” of projects that networks have rejected, and Legion M is working on bringing some of them to life.

In terms of representation, Legion M doesn’t necessarily want to commit to a quota of diversity. Instead, where they expect to be able to influence Hollywood is at the “table” where these decisions are made — and, “because we’re owned by such a broad, diverse group of people, we’ve got a better shot than anybody else at being able to affect that change.”

As Annison explains: “Fans have the ultimate power. Our money is what makes this whole thing spin around. When we combine and come together, we’ve got all the power.”

Read more about Legion M and how to get involved on their website.

As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

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As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

Watch below:

The movie’s airport scene was easily one of the most delightful moments of the film, so we’re loving this extra dose of Stucky brilliance.

Need more? The Captain America Blu-ray, with a release date set for September 13, includes the following special features:

  1. United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
  2. Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
  3. Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
  4. Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
  5. Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of Captain America: Civil War.
  6. Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
  7. Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

The Digital HD version of Civil War will be released on September 2.