The latest Amazing Spider-Man trailer swung into theaters last night attached to copies of The Avengers, and now director Marc Webb has a few words about how the film has evolved since the release of the first trailer last year.

Thanks to ComingSoon for the interview!

Q: In the earlier teaser, some of the POV web-swinging seems a lot more CGI than it does now. Is that an evolving process?
Marc Webb: We were still in production when we made that trailer, I believe. That was a very early rendering of some of the CGI things. Part of the fun was to create the movie thinking about subjectivity, meaning getting to feel what Spider-Man feels. I thought that 3D was a really interesting way to exploit that. We spent a lot of time refining and just making that s–t better. So there is that in the movie, but it’s a much more refined version of what you had seen before.

Q: How much of the film features those POV segments?
Webb: It’s interspersed throughout the film. It’s not like the third act is all point of view. Though that’s an interesting idea! [laughs] I’m not that bold.

Q: Not to get too specific about the trailer, but who was the voice that said, “Did you tell the boy about his father?”
Webb: Oh! [laughs] You’ll have to see the movie.

Q: So it’s intentional mystery?
Webb: Yeah.

Q: Can you talk a little bit about bringing the Lizard to life and how, technically, you accomplished it?
Webb: There’s a lot that goes into it. I mean, when we shot those sequences, we actually shot a human. There was a combination of things. A guy, Big John, who was this guy who was literally a big guy named John, who did a lot of the interactive stuff. When you’re trying to interact with Andrew or with Peter, you need someone grabbing him and doing those things so we would replace him with computer-generated Lizard. Then the performance capture was done with Rhys and, for that, we would shoot Rhys in a similar environment and get his facial composure. We’re still working on it. I actually just came from SPI [Sony Pictures Imageworks] where we’re trying to incorporate his performance into the Lizard itself. That takes an enormous amount of time. It’s tricky, you know? In the comics there are different incarnations of the Lizard. There’s the MacFarlane one, which has the snout, but I was interested more in finding something that could relate human emotions. I wanted to keep Rhys’s performance in that creature. Performance — Pixar does it extremely well, creating those emotional qualities within characters that are, essentially, computer generated. So Rhys’s performance is giving that nuance, getting the eyebrow tics and the looks. Creating an armature that can actually speak and lips that make sounds. It’s a very detailed and, frankly, tedious process. I really wanted to capture emotion. I wanted him to have a face, have a feeling and that’s the way I chose to do that. Then there are the physical components of it. I wanted to make him very powerful. I wanted to make him stronger than Spider-Man. That was a really important part.

Q: We see a lot of on-screen spectacle in this trailer. How do you balance your approach to providing the thrill ride that people want with the fact that Spider-Man is one of the more down-to-Earth heroes?
Webb: That’s the thing for me, that access point. I was always a Spider-Man fan, but I was a bigger Peter Parker fan than a Spider-Man fan. When you see the movie, I don’t think anybody will be worried about the emotional part of it. There is an incredibly innocent and tender quality to Peter Parker. He’s not a billionaire. He’s not an alien. He’s a kid and he doesn’t have money. He has trouble with the people that raise him and he has trouble talking to girls. There’s that intense relatability that’s all throughout the movie. I wish you were in the edit room. I could show you scenes that would describe it, but I think you guys have now all seen the hallway stuff. That’s a texture that, for me, is really intuitive. It’s just something that I love in movies, that particularly romantic dimension. It’s something that I’m very familiar with: girls and being made nervous by women. But again, there’s that relatability. How do I put it? The interpersonal relationships that Peter Parker has are so simple and so domestic that it’s a very fun dichotomy to play that big, massive spectacle alongside those very small moments. There are very real moments and, in a very small way, there’s a small, intimate little indie movie at the heart of Spider-Man. That was my access point. In the trailer, you want that spectacle and you want that energy because I think there’s an expectation surrounding that, but as we get closer to the release, there will be scenes that show the more intimate parts of Spider-Man and show where the heart is.

Q: The first Sam Raimi film had a lot of Peter discovering his powers for the first time. Do you get to have fun with that again?
Webb: There’s elements of that. Listen, I wanted to do things differently. If we’ve seen the origin of Spider-Man, maybe we haven’t seen the origin of Peter Parker. There are certain iconic elements of Spider-Man that I felt obligated to honor. There are some exploratory phases. But, again, I wanted to build something with a different tone and a different attitude and to do things in a little more of a practical way, especially at the beginning of the movie. There are elements where we spent a lot of time engineering and designing sequences that existed within the camera that we just shot practically with him swinging on these chains to help create that sensation and feeling of joy and fun, which is always a great part of these movies.

Check out the full interview at ComingSoon.net!

What do you think? How did trailer #3 compare to other trailers?

DCOM marathon schedule: See full list of movies and when they air

The mega marathon begins Friday, May 27 and runs into June!

10:00 am EDT, May 27, 2016

The highly-anticipated Disney Channel Original Movie marathon began Friday, May 27 at 10 a.m. eastern and runs through the holiday weekend. See the complete DCOM marathon schedule here!

When Disney Channel says they’re running a DCOM marathon, they mean it. The network will be airing 51 DCOMs from Friday to Monday ahead of this summer’s release of their 100th DCOM, Adventures in Babysitting (debuting June 24). Who needs Memorial Day festivities when you can sit inside and enjoy Disney Channel classics all weekend?!

After Monday they’ll continue to air a couple more movies every night until they eventually air all 100 DCOMs. That’s right! Every single one of ’em is returning to television between now and late June.

Below is the complete list of DCOMs airing from Friday, May 27 into the middle of June. Since many are airing in the overnight hours, you’ll probably want to set up your DVR. Or in case you want to watch them again. And again.

DCOM Marathon Schedule

Friday, May 27

10:00AM Kim Possible Movie: So the Drama
11:20AM Read It and Weep
12:55PM Wendy Wu: Homecoming Warrior
2:40PM Jump In!
4:15PM Lemonade Mouth
6:15PM Zapped
8:00PM High School Musical 2
9:55PM The Cheetah Girls 2
11:45PM Zenon the Zequel
1:25AM Halloweentown II: Kalabar’s Revenge
2:55AM Twitches Too
4:25AM Alley Cats Strike!

Saturday, May 28

6:25AM You Wish!
8:05AM The Proud Family Movie
9:50AM Quints
11:25AM Horse Sense
1:10PM Cow Belles
2:50PM Twitches
4:30PM The Even Stevens Movie
6:15PM Wizards of Waverly Place The Movie
8:00PM Camp Rock 2: The Final Jam
9:50PM Princess Protection Program
11:30PM The Cheetah Girls: One World
1:05AM Zenon: Z3
2:40AM Halloweentown High
4:20AM The Thirteenth Year

Netflix DCOMs High School Musical

Sunday, May 29

6:00AM Right On Track
7:45AM Full-Court Miracle
9:35AM Eddie’s Million Dollar Cook-Off
11:20AM Brink!
1:10PM Double Teamed
2:55PM Rip Girls
4:35PM Motocrossed
6:20PM Cloud 9
8:00PM Teen Beach 2
9:55PM Bad Hair Day
11:40PM How to Build a Better Boy
1:20AM Pixel Perfect
2:55AM The Other Me
4:30AM Genius

Monday, May 30

10:00AM Stuck in the Suburbs
11:30AM Halloweentown
1:05PM Zenon, Girl of the 21st Century
2:55PM Smart House
4:25PM High School Musical
6:15PM Camp Rock
8:00PM Descendants
10:05PM Teen Beach Movie
11:55PM Cadet Kelly
1:50AM The Cheetah Girls
3:35AM Johnny Tsunami

Camp Rock DCOM

After Memorial Day Weekend, Disney Channel will air two more DCOMs each night. Here’s the schedule so far (again, set your DVRs because these air late!)

Wednesday, June 1
12:00AM Return to Halloweentown
1:40AM Can of Worms

Thursday, June 2
12:00AM Going to the Mat
1:40AM Miracle in Lane 2

Friday, June 3
12:00AM The Suite Life Movie
1:40AM Ring of Endless Light

Saturday, June 4
12:00AM Invisible Sister
1:40AM Now You See It…

Sunday, June 5
12:00AM Girl vs. Monster
1:40AM Phantom of Megaplex

Monday, June 6
12:00AM Tru Confessions
1:40AM Tiger Cruise

Tuesday, June 7
12:00AM Mom’s Got a Date with a Vampire
1:40AM Under Wraps

Wednesday, June 8
12:00AM Den Brother
1:40AM Go Figure

Thursday, June 9
12:00AM Avalon High
1:40AM Jett Jackson: The Movie

Friday, June 10 and beyond
As of right now Disney Channel hasn’t released the schedule beyond June 10.

Which DCOMs do you plan to watch during the Disney Channel Marathon?

Next week we’ll be launching a fun new game here on Hypable where we’ll seek your help in ranking every single DCOM in the history of DCOMs. It’s probably a good idea to watch as many of these as possible so you can brush up on your knowledge base and rank them accurately!

James Cameron’s Battle Angel adaptation has found its lead in Maze Runner standout Rosa Salazar.

According to Collider, Salazar has been officially confirmed as the lead in Alita: Battle Angel, beating out Maika Monroe and Zendaya for the titular role. The manga adaptation was developed by James Cameron, and will be directed by Robert Rodriguez.

Battle Angel Alita is a manga series by Yukito Kishiro, which takes place in the 26th century and follows a cyborg girl with amnesia. Designed with spectacular martial arts skills, Battle Angel becomes a bounty hunter, who makes a living tracking down violent criminals.

As Brenda in Maze Runner: The Scorch Trials and Lynn in Insurgent, Rosa Salazar is already well-known in dystopian YA circles. She’s also had recurring roles in Parenthood and American Horror Story, and you can currently catch her in FXX’s Man Seeking Woman.

alita

James Cameron has been tinkering with this project for a while, but his extensive and all-consuming work on the Avatar sequels led him to hand over directorial duties to Robert Rodriguez last year. Rodriguez previously served as showrunner on From Dusk Till Dawn (after directing the movie of the same name in 1996), and his versatile directorial resumé includes Sin City, Spy Kids and The Faculty.

When Cameron picked Rodriguez as Battle Angel director, he said in a statement, “Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel. He’s very collaborative and we’re already like two kids building a go-kart, just having fun riffing creatively and technically.

“This project is near and dear to me, and there’s nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We’re looking forward to learning a lot from each other while we make a kick-ass epic.”

Alita: Battle Angel has no release date yet, but we’ll keep you posted. Here’s the official synopsis from IMDb:

“Alita is a creation from an age of despair. Found by the mysterious Dr. Ido while trolling for cyborg parts, Alita becomes a lethal, dangerous being. She cannot remember who she is, or where she came from. But to Dr. Ido, the truth is all too clear. She is the one being who can break the cycle of death and destruction left behind from Tiphares. But to accomplish her true purpose, she must fight and kill. And that is where Alita’s true significance comes to bear. She is an angel from heaven. She is an angel of death.”

Harry Potter and the Cursed Child is set to continue Harry, Ron and Hermione’s story. Downside: The characters that survived Deathly Hallows are suddenly no longer safe!

Details about Cursed Child, the Harry Potter play opening in London next month, are being kept tightly under wraps.

But one teaser J.K. Rowling did let slip? It’s designed to make you cry.

Answering the Twitter question, “Will the Cursed Child make me cry?” Rowling strongly implied that the answer is yes — “or we’ll be checking your vital signs.”

Bombarded with worried follow-up questions, Rowling (randomly) chose to answer “why are you like this” by reminding fans of what she believes her primary responsibility is as an author: To make us feel things.

Of course there’s no reason to assume the “OMG RON IS DEFINITELY DYING AKSDJFSHFJ” position (even if that is the first instinct of this writer), but it is an indisputable fact that for many authors — Rowling included — evocative storytelling is synonymous with, “I’m going to make you love something, and then I’m gonna kill it.”

Cursed Child takes place 19 years after the conclusion of the Harry Potter saga. Not only are there many elderly characters we might reasonably fear for (including McGonagall, Hagrid, and Molly and Arthur Weasley), but J.K. Rowling’s Potter series has set a strong precedent for killing off parental figures to usher in a new generation of characters.

Related: England’s biggest bookstore announces first Cursed Child midnight release party

On the other hand, we could just be traumatized by the original Potter series, and everything is actually gonna be fine. Maybe J.K. Rowling simply expects us to cry tears of happiness because we get to return to the fantastic, magical world she has created.

What do you think? Is someone we love dying in Cursed Child, or will the plot make us emotional in other ways?