Amongst very high anticipation, Marvel’s first television show Agents of SHIELD season 1, episode 1 premiered Tuesday night on ABC!

Our Agents of SHIELD season 1, episode 1 recap looks back at the events that took place during the pilot episode directed by Joss Whedon.

Note: This is a reprint of the recap we wrote after seeing the episode in July at San Diego Comic-Con.

The episode begins with a little boy and his dad (who may look familiar to Angel fans, as he is played by J.August Richards) looking into a shop window at some toys when all of a sudden there is an explosion in the building behind them.

The father quickly jumps into action and uses his hidden supernatural abilities to scale the brick building, plunging his hands into the brick with each movement. He then jumps and lands safely, bringing with him the woman he has now saved.

While all of this is going on, we see the girl we will soon know as Skye, filming the entire encounter with her cell phone, plunging us all into queries of “Who is this girl?” and “I wonder whose side she’s on?”

While the audience was left to wonder about this mysterious girl, a new face, Agent Grant Ward steps into the scene, pulling off a caper in which he steals fingerprints off a glass, uses them to break into a fireplace/safe and manages to fight off the hostiles that appear quickly and escape on a helicopter.

The introduction of this character does one thing exceptionally well, it shows just how capable Agent Ward is of handling things by himself.

Related: 5 theories that could explain how Agent Coulson lived.

The next punch comes as Ward is talking to someone we haven’t seen, and the reveal shows it is none other than Agent Maria Hill, played by Colbie Smulders, and they are discussing the presence of beings with supernatural powers, including the green guy, the retro guy in a star-spangled suit, and the god from that fight in New York City.

Ward goes on to say, “I don’t think Thor is technically a god.” and Agent Hill responds, “You haven’t been near his arms.” We then get our first look at the very much alive Agent Coulson just as Agent Ward is discussing the knowledge of his death. It will never not be great seeing our favorite agent donning his own version of a super suit.

We go on to find out that Nick Fury faked Coulson’s death in order to bring the clan of superheroes now known as the Avengers together to save the planet. Coulson was sent to a grass shack in Tahiti, where he got a little time off, but he is now more than happy to be back on the job.

'Agents of SHIELD' episode 1 recap

Next is the first mention of the Rising Tide, a force that we believe may be the antagonistic force for season 1. We also get a little thrill as Ron Glass (better known as Shepherd Book to any and all Firefly fans out there) steps on screen in a small role, but it is never not thrilling seeing him involved in another Joss Whedon project.

Agent Hill and Ron Glass’ character share a quick moment about Coulson’s trip to Tahiti that suggests that everything may not quite be as it seems with the faking of his death. There are definitely some variables in play that we cannot wait to see more of in season 1.

Next we fly back to Skye as she sneaks in to meet with the hooded hero we saw at the beginning of the episode. The immediate feeling about her personality is that she seems a little bit of a fangirl when it comes to guys with superpowers.

She tries to convince the hooded hero, whose name is Mike Peterson, that he should come out of the shadows and be proud of what he’s done. She also gets a chance at an iconic line, but doesn’t quite get it right when she says, “With great power comes… a ton of weird crap.” She leaves him with a warning, “They’re coming for you.”

We then get our first look at Ming-Na Wen as Agent Melinda Mays, a clearly experienced agent that has opted for desk work in exchange for the ever crazy field-work. Coulson tells her just how badly he needs her help, and she reluctantly agrees to “drive the bus.” The “bus” is a very impressive black jet that serves more as a flying command center for their outfit than simply a mode of transportation.

The following scene is a first look at Fitz and Simmons, a dynamic duo when it comes to technology and investigation, including a Hermione joke from Simmons, which made this writer instantly love her and her partner.

It was at this point in the episode that it was clear that this was just another amazing property from Joss Whedon, and that his stamp of wit, humor, and action is all over Agents of SHIELD.

Next we go back to Skye as she is broadcasting herself talking about the Rising Tide, threatening SHIELD amongst other things. Coulson triangulates her position and interrupts her by thrusting open the van door and throwing a black hood over her head. They take her back to their turf and interrogate her about the name of the hooded hero.

She mentions something called Centipede, which elicits a ‘What?’ look from Agent Ward. When she refuses to name the hero, Coulson threatens her with a newly developed truth serum, which he surprisingly injects into Agent Ward, leaving his agent in the hands of a skilled hacker who has a few interesting questions to ask.

While Skye doesn’t get anything top secret out of Agent Ward, she does feel more like a part of the team, and we realize that Coulson is more interested in making her a part of the team than punishing her for the trouble she has caused.

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We then flash to Agents Mays, Fitz and Simmons at the site of the fire from the beginning of the episode as they investigate what may have caused it in an attempt to solve the mystery of the hooded hero.

The elusiveness of the hooded hero continues, as we saw him taking on the phone to a mysterious ‘doctor’ who somehow managed to give him his powers, and the next time we see him, he is confronting a former boss as he looks desperately for work that will allow him to take care of his son. He ends the interaction by killing his boss, proving that whatever has given him his powers has also altered his mind.

He then visits the hospital to see the woman that he saved, who we quickly find out is the ‘doctor’ he was talking to earlier. She is not happy about his heroic stunt, and scolds him for showing off and exposing them both. We find out that there was a patient before that had also been given the Centipede, and he went crazy and eventually killed himself in an explosion.

While the hooded hero continues to seek knowledge of his condition and find a way to be there for his son, Coulson’s team is getting closer to solving the mystery themselves. Fitz digitally replicates the scene before the explosion, and we find out that the previous patient of the ‘doctor’ was the source of the explosion, not just a victim.

The Centipede may give a person superhuman abilities, but it also causes them to lose their minds and eventually burst in anger due to a volatile substance known as Extremis.

Peterson takes Skye hostage in an attempt to save her and himself, also requesting that she delete any and all of his presence so he can effectively disappear and keep himself and his son safe from the powers behind Centipede.

Related: Marvel reportedly working on ‘Agent Carter’ TV show for ABC.

Skye skillfully triggers a security breach and gives Coulson the coordinates of her position, and our favorite agent responds just as we expect, he rushes to her aid. A fight breaks out as Peterson tries to escape both Coulson’s team and the assassin that the doctor had instructed to kill him, and results in Ward being forced to shoot Mike in the head. (Clarification: Ward shoots Mike with the antidote, which is why he survives and also why everyone smiles. Just to clear that up.)

Fortunately, due to Ward’s shot with the antidote, Mike Peterson survives and last we know, his child is safe as Mike Peterson recovers from his wounds.

Our last look at the episode shows Skye and Coulson zooming away in his hovercraft vintage red car toward what Agent Ward called a “084,” after Coulson requests that Skye seriously consider joining the team long-term and helping them further their cause.

What did you think of ‘Agents of SHIELD’s’ season 1 premiere?

Hit the comments to discuss the show with fellow fans!

Here’s how Netflix’s ‘Series of Unfortunate Events’ should split the books up

We still know next to nothing about Netflix’s ‘A Series of Unfortunate Events’ adaption, but we can dream.

8:45 pm EDT, May 2, 2016

There are few things in this world I am more excited about than the Netflix adaption of A Series of Unfortunate Events. The casting so far is perfect. Neil Patrick Harris looks like a better Count Olaf than Jim Carrey did, and the kids selected to play Klaus and Violet look like they jumped right out of the book. Plus, Netflix is keeping Daniel Handler, the author, close at hand as a producer so they adapt the books accurately.

Impatient fans with nothing better to do, like myself, have to wonder, how will the books be broken up across a Netflix series? How do you transition 13 short children’s books into a format broken up by episodes and seasons?

The Game of Thrones option is out, because the ASOUE books are far too short to do a book a season. And also, 13 seasons just won’t happen. So what do you do? You do what the movie did and group them together. With that strategy in mind, here’s how I think A Series of Unfortunate Events will play out on Netflix, and what ground each season will cover:

Season 1: ‘The Bad Beginning,’ ‘The Reptile Room,’ ‘The Wide Window’

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The Baudelaires have never experienced tragedy before. When they learn of their parents’ death in a fire that destroyed their home, they simply don’t react. They don’t know how to. Before they can process any of their grief, they’re dragged into the custody of Count Olaf, a character who earns the title of the series’ antagonist. Count Olaf is after the Baudelaire fortune, an immense sum of money the children’s parents left behind for them to inherit when Violet, the oldest, turns 18. Through the entire series, Count Olaf deceives, kidnaps, steals, and kills to get what he wants. Every time, the Baudelaires narrowly evade his grasp. During the first three books the orphans visit the Count’s sinister, disgusting home, a room filled with fascinating reptiles, and a house dangling over a lake infested with flesh-eating leeches. This is just the start of the orphan’s troubles.

Season 2: ‘The Miserable Mill,’ ‘The Austere Academy,’ ‘The Ersatz Elevator’

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Through the next three books, the Baudelaires come to expect Count Olaf everywhere they go, and they’re right to do so. While meeting even more unpleasant characters, they also meet some who come to be their closest friends. The Quagmire children still consider themselves triplets, even though one of them died in a fire. The Quagmire triplets also have a large fortune waiting for them when they turn 18. The other triplets are also exceedingly smart, just like the Baudelaires. Count Olaf kidnaps the Quagmires, but before he can do so, Duncan Quagmire gives the reader, and the Baudelaires, the first glimpse into the mystery behind these unfortunate events, “V.F.D!” The mystery only grows larger when the orphans find a secret passage from one of their new guardian’s homes, to their old mansion, which is now reduced to ashes.

Season 3: ‘The Vile Village,’ ‘The Hostile Hospital,’ ‘The Carnivorous Carnival’

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The children no longer fall from guardian to guardian and are more or less on their own. They go to a village where they discover the Quagmire triplets are being held somewhere secret. By the time the Baudelaires figure out the location of the Quagmires, they are also running for their lives, as Count Olaf has managed to frame them for murder. The orphans are no longer safe anywhere. Meanwhile, the acronym V.F.D appears everywhere they go. The children come to find that V.F.D is a secret organization — an organization that their parents, Count Olaf, and many other characters they have met along the way are members of. This season will be fraught with violence, as it includes a harpooning, a surgery, and man-eating lions.

Season 4: ‘The Slippery Slope,’ ‘The Grim Grotto’

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The orphans begin to discover more and more about this secret organization, its history, and what it had to do with their parents. Eventually, they find the headquarters of the organization, but of course, it’s burnt down. They learn about a mysterious sugar bowl, and something that was contained inside which that caused the falling out of the entire organization, the organization splitting into two sides with two very different goals. At this point in the series, mystery will now be dominating.

Season 5: ‘The Penultimate Peril,’ ‘The End’

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In the last book, which I’m sure will take up most of the last season, we find the Baudelaire orphans on a remote island. One last time, Count Olaf finds them and has a final standoff with the children. The series comes together incredibly, with things from 10 books ago now once again coming into play, and mystery after mystery being solved. Ultimately, however, more questions are asked than answered. Thus the whole series heeds the advice of a submarine captain we met in book 11:

“Some things are better left unknown.”

All we know right now is that season 1 will be eight episodes long. Netflix is free to decide how many episodes each season will include, so the following seasons could potentially get longer as the story progresses.

These books are perfect for a TV series adaption. It was never meant to be a movie. In A Series of Unfortunate Events, characters die off constantly. Every book is filled with insane twists that will make House of Cards look like Sesame Street. Not only that, but the books are stuffed with colorful, imaginative locations, and addictive, outrageous characters begging to be brought to life in your web browser or on your Apple TV.

We still don’t have a release date, trailer, or anything really. All we can do
for now is watch this Very Fake Depiction of what a teaser trailer might look like:

How do you think Netflix will tell the Baudelaire Orphans’ story? Comment below!

‘Space Jam 2’ starring LeBron James finds director as script enters development

Welcome back to the Space Jam.

2:14 pm EDT, May 2, 2016

Rumor no more! LeBron James and Star Trek Beyond director Justin Lin are currently at work on a Space Jam sequel that will find the big (both literally and figuratively) basketball player in the leading role.

The Hollywood Reporter says that a Space Jam 2 script is currently being penned by Lin and writer Andrew Dodge. Very little else is known about the movie, but it’s safe to say it’s going to get a lot of attention as it makes its way through development. The original Space Jam starring Michael Jordan, Bugs Bunny, and the rest of the Looney Toons became an instant classic thanks to the basketball theme and the fact that the animated characters were interacting with real actors.

Adding to its quirkiness, WB has kept the original Space Jam website online over all these years. Visit it. It’s amazing.

Space Jam hit theaters in 1996 and co-starred Larry Bird, Bill Murray, Thom Barry, Charles Barkley, Wayne Knight, and Theresa Randle. And the Looney Toons, of course.

LeBron James appeared in last year’s Trainwreck opposite Amy Schumer. We’re sure he’ll invite a few of his basketball friends to make appearances in Space Jam 2 like Jordan did in the original. While LeBron James’ interest in a Space Jam sequel has long been rumored, today’s report is the first time we’re hearing that the film has found a director, and that the script is now being worked on.

Lin is also known for directing Fast & Furious, Fast Five, and Fast & Furious 6.

Are you ready for another ‘Space Jam’?

While we wait (it’s probably going to be a while), watch the original trailer for Space Jam below. Damn, we miss the ’90s.

15 Broadway songs you must listen to

1:00 pm EDT, May 2, 2016

Looking to discover some new Broadway show tunes? You’ve come to the right place. Don’t like Broadway show tunes? Wander over here, lets see if we can change your mind.

You have the Hamilton soundtrack memorized, you’ve seen more stagings of Rent than there have been years since it debuted on Broadway (20!). You’re looking for some more Broadway music to tap your toes to. Well, welcome, you are among friends in this article.

Chances are, you’ve heard of some of the songs on this playlist, if not on the theater stage, then in the pop lexicon (looking at you, Green Day, Carole King and Jersey Boys). These tunes are showstoppers, the reason the Great White Way has, and continues to, thrive.

We’ve compiled 15 songs — one hour, four minutes of music — that you may not have heard of before from shows you may have never seen. They’re a capsule look into the energy of the genre, and showcase the best Broadway has to offer — that is, the variety, the vitality and the vicious harmonies that thousands of performers crush night after night. The playlist was curated by various members of the Hypable team, so there’s a little bit of everything. Broadway shows, like all of entertainment, range in genre and can be divisive. One person’s Hamilton is another person’s Anything Goes. But, like all of entertainment, that’s the beauty in creating playlists like these. We can share and hopefully you can discover new music you might not have heard before.

The shows these songs originate from are cemented in history, they are part of the Old Guard, and they represent the transition into a modern-day Broadway, catering to audiences of all walks of life. This isn’t the typical list, no “Seasons of Love” or “Defying Gravity,” nor are there any particularly ‘deep cuts,’ all songs come from shows that should have familiar names. Some come from revival shows, some are brand-spankin’-new off original albums.

Take a listen and let us know what you think! They’ve been compiled into one handy dandy Spotify playlist for your listening pleasure, below.

Listen on Spotify:

This article is a part of Hypable’s inaugural Broadway Week in celebration of the 2016 Tony nominations.