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Admission, starring Tina Fey and Paul Rudd, hits theaters today and director Paul Weitz had more than a few things to say about his ultra-funny stars in a recent interview with Hypable.

With two stars coming from the ultimate of comedic backgrounds, it seems that Admission (read our review here) can do no wrong. Director Paul Weitz had to face the challenge of balancing comedy with heartfelt drama in the film adaptation of Jean Hanff Korelitz’s book, and having two stars that share an incredible sense of humor really helped Weitz during the production.

“They’re both nice, obviously, which is a really big thing,” said Weitz. “My brother (New Moon director Chris Weitz) and I, you know, we started doing American Pie which had no, you know, it had Eugene Levy in it. He was the most famous person in it,” laughed Weitz. “We had this ‘no assholes’ rule where we wouldn’t work with someone who we heard was an asshole. Years later I learned that was a really good rule to have.”

Since the word on the street was that neither Fey or Rudd were assholes, they both scored starring roles in Weitz’s film, and the director has even gone so far as to say that he wouldn’t have done the film had Fey not signed on.

Before Fey even arrived on the set, Weitz took to her personal biography, Bossypants to glean an idea of who she was as a person. “It was really good to have Bossypants to read ahead of time. It’s pretty revealing. I knew that, you know, I kinda got some sense from that of what she cared about,” said Weitz. “The star has a lot of power on the set and you need to be making the same film as them, so there was a lot of talk ahead of time about what the film was about and the decisions being made.”

AdmissionWith the kind of heart that beats at the center of Admission, it was important for Fey to understand the tone so that she could adjust her performance to better suit what the film was aiming for.

“With Tina, I turned to the screenplay and I walked her beat by beat through the plot before we got involved, because I needed to know that she was up for this version of the movie,” said Weitz.

Although the director had a strong vision for the direction he wanted to take the film, it still continued to be a collaboration between everyone involved, including Fey. “Tina was great in terms of coming up with jokes, and also she had some really good ideas about some of the dramatic scenes.”

Weitz continued to go into detail about how Fey provided something more carnal than he had originally envisioned for a crucial scene in the film, but for spoilers-sake we won’t go into detail here. You’ll find out when you see Admission for yourself, but just take note that it was Fey’s idea to “do it on the floor.”

Weitz said that Fey’s animalistic instinct caught him by surprise, but according to the director, that’s half the fun of the job. “It’s much more interesting when people do something that you didn’t expect,” said Weitz, though he maintained that there still had to be a sense of balance when improvising. “If you’re really riffing on a scene you forget what the scene’s about,” said Weitz.

Weitz has made a specialty out of adapting books to fit the silver screen, and Admission was no exception. Coming from the book of the same name written by author Jean Hanff Korelitz, Weitz discussed a few scenes that he wished could have fit into the film, but as with any shift from book to film, some moments just didn’t work.

“There are a certain number of flashbacks to Tina’s character as an undergrad,” explained Weitz. “That would’ve been challenging to do and have the film not be ridiculous.” At the moment, we can only imagine Fey as an undergrad at an aviary museum taking pictures of the “many different types of sparrows,” so yes, that may have been a little ridiculous.

admission-paul-weitz-paul-rudd-tina-feyThough ridiculousness isn’t the worst thing for a comedy, Weitz decided early on he wanted to center on truth in order to tell the story with as much honesty as possible. “The characters have to not feel like they’re in a comedy,” said Weitz, though he admits that separating the line between the actor and the character can be a challenge.

“I had to think about whether or not her character has a sense of humor,” said Weitz, trying to draw a line between Fey and her on-screen persona, Portia. “Clearly Tina does, but her character might have a really dorky sense of humor. You kinda see that when she’s trying to tell jokes to the cow that’s giving birth to calm him down.”

Although making this distinction between Fey’s real-life comedic sense and Portia’s crippling awkwardness was a challenge, Weitz admits that it’s one of his favorite aspects of the job. “The thing I maybe enjoy most about directing is the game of “let’s pretend” that you have with the actor where you’re talking about this imaginary character and you’re trying to erase this line between the actor and the character, and really between yourself and the character too,” said Weitz.

More than anything, Weitz wanted to ensure that he had remained faithful to Korelitz’s original vision, though he admits that as a completely different art medium, you need to also make it your own. “You’re always taking some angle on a book and adapting it,” said Weitz. “The only thing I make damn sure to do is to talk to the author about what I’m doing and in this case I think Jean was excited that Tina was gonna play the character, and she was cool with me giving the version that I thought would be a good film.”

According to Weitz, Korelitz has seen and enjoyed the film, though he does leave a little wiggle room for her in the truth department. “She’s either a really terrific liar or she loved the film,” laughed Weitz. Korelitz was involved in the production of the film to an extent, though her son had the distinct honor of appearing in the film as one of Nelson’s buddies in the party scene.

At the moment, Weitz is circling a film adaptation of yet another novel called Bel Canto, which follows the story of a renowned soprano that goes down to a Latin American country to sing at the birthday party of Katsumi Hosokawa, a Japanese industrialist. The party is interrupted by a group of terrorists looking for the President, and when it’s revealed to them that the President didn’t attend the party, the terrorists are forced to remain there with their hostages for months.

According to Weitz, the book was inspired by a real event in Peru, and although it represents a challenge to the director, he still wants to give it a shot.

Admission hits theaters today.

Click here to check out our review of Admission and be sure to catch it in theaters this weekend!

Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

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Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

Kristen Stewart

Charlize Theron

Madonna

Nick Offerman

Sir Ian McKellen

Candice King, Julie Plec and Kayla Ewell

Mindy Kaling

A photo posted by Mindy Kaling (@mindykaling) on

Darren Criss and Nick Lang

Melissa Benoist

๐Ÿ’ช#womensmarchonwashington

A photo posted by Melissa Benoist (@melissabenoist) on

Misha Collins

#womansmarch Jacksonville, FL. Fight on!

A photo posted by Misha Collins (@misha) on

Aja Naomi King and Alfred Enoch

Resistance. Respect. #womensmarch ๐Ÿ‘Š๐Ÿพ

A photo posted by Aja King (@ajanaomi_king) on

Lin-Manuel Miranda

Joss Whedon

Edgar Wright

Miley Cyrus

Ariana Grande

today filled my heart with so much hope !! got to meet many beautiful, passionate people and march alongside my loved ones. the sun came out for us. we are so much stronger and louder than hatred, ignorance, sexism, racism, agism, homophobia, transphobia, body shaming, slut shaming, prejudice, discrimination of all kinds, patriarchal conditioning and the backwards expectations of what a woman should be! I'm so proud of / inspired by everyone who marched today and thankful that there are so many people on this planet currently celebrating how brilliant and magical women truly are! let's keep our voices loud, passionate & peaceful! let's continue being strong for each other and to build each other up! let us stay connected to our divinity. ๐ŸŒธโ™ก๐ŸŒŒ

A photo posted by Ariana Grande (@arianagrande) on

John Legend

#WomensMarch

A photo posted by John Legend (@johnlegend) on

Chrissy Teigen and America Ferrara

Dame Helen Mirren

Gillian Anderson

Bryan Fuller

Neil Gaiman

Kerry Washington with Natalie Portman

… and with Laverne Cox

Ben Barnes

Amy Schumer and Uzo Aduba

A photo posted by @amyschumer on

Gina Rodriguez

Carlos Valdes, Arthur Darvill, Danielle Panabaker, Caity Lotz and Keiynan Lonsdale

Maggie and Jake Gyllenhaal

Kevin McHale

Chris Colfer

Scarlett Johansson

Blake Lively

Yoko Ono and Whoopi Goldberg

Jessica Chastain

Alicia Keys and Janelle Monae

Katy Perry

Zendaya

That's right…

A photo posted by Zendaya (@zendaya) on

Troye Sivan

Willow Smith

Mark Ruffalo

Yip. Well said. Borrowed sign from @dorisfullgrabe design by @dirtybandits #womensmarch Nyc

A photo posted by Mark Ruffalo (@markruffalo) on

Paul Bettany

Eddie Izzard

Stephen Colbert

Did you turn out to support the Women’s March?

Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

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Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

They don’t specifically say Omundson will be playing the God, but EW reports he is “a patient in a psychiatric hospital, who is charming, enigmatic, and oh yeah, he thinks heโ€™s the one and only God Almighty.”

Lucifer will certainly take issue with someone impersonating any divine being, let alone his father.

However, EW also says, “As Lucifer (Tom Ellis) tries to prove him a phony, he comes to find that ‘God Johnson’ seems to know things that only Luciferโ€™s true Father would know. Could he really be the Big Guy Upstairs?”

The trick will be to figure out if God Johnson is the real deal or if someone else is feeding him information to lure Lucifer out. At this point, it could be just about anybody — Charlotte, Amenadiel, the man in the hat, or a player we’ve yet to meet.

Omundson has been signed on for only one episode, but that doesn’t necessarily mean we’ll never see him again.

Are you excited Timothy Omundson has been added to ‘Lucifer‘?

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

Read full article

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

The CW drama The 100, which is entering its fourth season in February, rather bluntly captures that sense of young people paying the price of previous generations; at the beginning of the series, a council of adult politicians literally sent teenagers to a radiation-soaked earth to try to save their own society.

The 100 season 1 Jaha

The pilot episode revealed the extent of the power imbalance between the generations that reflects our society today: Chancellor Jaha presented the project of ‘the hundred’ as a way for young delinquents to fulfil their duty and gain redemption, even if it cost them their lives. They were even expected to be grateful, because they’d been judged as criminals and would have been executed anyway, even for relatively petty crimes.

And as The 100 season 4 approaches, the adults’ attitudes towards the kids haven’t changed that much from the showโ€™s premiere.

Related: Previewing The 100 season 4: What to expect when youโ€™re expecting an apocalypse

Generational conflict and tension has remained at the heart of the show throughout the series. The generational focus has not been diluted even as the world has expanded to reveal far more of the culture of the Grounders; in fact, this has only given rise to more conflict as the older members of Skaikru have struggled to accept not only the Grounders’ belief system, but the young age of their Commanders.

As the figurehead for all of the delinquents, lead character Clarke has been undermined and derided at every turn. In season 2, her own mother scoffed at the idea that Clarke and Lexa could lead their people to safety, mocking the Grounder Commander’s age and commenting, “They’re being led by a child.” It was up to Kane to point out that Skaikru were, too, because none of the adults had managed to think of a solution, and it was up to Clarke to save them.

Both Abby and Kane’s attitudes play into the infantilising of the millennial generation. Neither Clarke nor Lexa were children. They were young adults, and they were working towards making a better society where all of their people could survive while the adults were focused on internal power plays. Jaha was ready to leave the young adults in Mount Weather to die, but thatโ€™s no surprise; heโ€™d made that decision before.

Abby couldn’t bear losing power to her own daughter, to the extent that it culminated in a scene where she assaulted Raven. The young mechanic was cool and composed in her response, pointing out that Clarke stopped being a child when Abby signed off on her daughter being sent to Earth to die.

Raven’s positioning was clear: Although not condemned by any crimes (even if she had committed the crime that Finn was convicted of), she chose to align herself with the hundred and was the one who chose to come to Earth simply to help. The younger generation, in short, pulled together, and when the older generation landed they brought down their old rules and oppression.

The consequences were overwhelming for the younger characters. They were tasked with saving everyone at the expense of any peace to their own souls. Clarke demonstrated this more than any other character and she ended up fleeing her people, unable to carry the burden of expectation they all had for her. It’s something she wrestled with throughout season 3, and with Earth facing a nuclear apocalypse again, Clarke will have to make peace — not with herself, but with how everyone else sees her if she is to survive.

The 100 season 4 Bellamy

Bellamy, too, will have to find his own identity. Last season, he effectively turned his back on the hundred to win the praise of Pike, and Bellamy upheld and supported his bigotry.

His part in slaughtering the Ark survivors’ 300 Grounder allies will not be easily forgotten. Bellamy wanted to be the hero. He wanted to protect people (specifically the women in his life) who never asked for that, and he wanted to be a part of the establishment.

If The 100 presents a metaphor for the real-life relationship between millennials and Gen X, Bellamy is the one wearing the rose-tinted glasses that younger people are supposed to wear when viewing an establishment that has been willing to regularly criticise later generations.

He had longed to be part of the Guard since he was a boy, and he saw a way to fulfil that old dream and become part of an order that had caused his entire family so much suffering. Bellamy was never quite the hundred: He was older, and his sole concern initially had been protecting his sister. It was easier for him to flit between the different groups within Skaikru than it was for any of the rest of the hundred.

After the events of last season, however, Bellamy now knows the pain he’s caused by his choices. And in season 4, he will have to choose exactly who to put his faith in: Clarke or the old order?

But maybe, in light of the external threat that now threatens humanity’s survival, the two generations will finally be able to pull together. There have been many hints that Clarke and Jaha will find some common ground this season due to the pressures they are facing, and Jaha knows well the cost of leading. Through Clarke, we will see whether lessons can be learned from the mistakes of the generation before.

Octavia once accused Clarke of being just like the council by deciding who was worthy of life. Clarke now must show whether she will follow that path or whether she can be better. The millennial dream of whether we can learn from the repression and conservatism of the past will be on trial in The 100 season 4, as we see just how Clarke plans to lead her friends into this new battle.

The 100‘ season 4 premieres February 1 at 9/8c on The CW