‘Admission’ – Hypable Movie Review

1:00 pm EDT, March 22, 2013

Admission portrays a workaholic Princeton Admissions counselor who admits many people into the university, but not into her personal life. It’s a rainy day chick flick that almost succeeds, but the writing is dry with predictable twists.

Portia (Tina Fey) has been an admissions counselor at Princeton University for 16 years, since her college graduation from Dartmouth. Portraying a woman who has more career potential than an admissions counselor, her work life is always busy and full of traveling, her long-term relationship and living with an English professor for the past ten years is stagnant, and her life seems rather boring on the outside. The Dean of Admissions, Clarence (Wallace Shawn), announces that Princeton has fallen to #2 on the “best colleges” ranking, also that he is going to retire. Clarence tells Portia and another hardworking counselor, Corinne (Gloria Reuben), that he’s only considering one of the two of them to fill his vacancy, therefore Portia works even harder to recruit better, brighter students. While recruiting at a new developmental school in New Hampshire, she meets a senior, Jeremiah (Nat Wolff), who is a “self-described autodidact” and prodigy, and his teacher, John (Paul Rudd) who enthusiastically lobbies for his admittance into Princeton. Although rather unimpressed initially with Jeremiah, Portia learns from John that there may be a closer connection between Portia and Jeremiah than she initially realizes.

Admission Fey Rudd Jeremiah

A light-hearted romantic comedy, the film aims to explore types of “admission” in life overall, and created this through the parallel of Portia as an admissions counselor. It focused not only on the (obvious) college admissions process, but also letting go of grudges and mundane routines and welcoming people – whether it be a family member you’ve never really gotten along with or a new love interest – into your life.

Overall, the overarching theme was clear, but the writing didn’t do it justice. There is no doubt that the film is realistic, but the jokes are dry, the supporting characters aren’t nearly as developed as well as they could have been, and minor subplots introduced in the beginning are lost through the film. The chemistry between Rudd and Fey is surprisingly decent, and the two of them bring a stigma of ease and confidence to the film. Otherwise, the supporting actors seem to try too hard, but that’s probably due to the fact the audience doesn’t have a real reason to care for them. The character Fey portrays is reminiscent to her character, Sharon Norbury, from Mean Girls – a dedicated and diligent woman in their career but has their entire life slowly spiral downward. While Fey pulls of the workaholic and caring career woman character well (as seen in Mean Girls  and 30 Rock), it may be time for Fey to move into some more diverse roles if she’s going to continue with film rather than TV.

Tine Fey Admission

Other than Fey and Rudd’s characters, the writing doesn’t give the audience any reason to personally be interested in the rest of the cast and the dry humor only supported the sub-par script. I’d wait to watch this on Red Box on a rainy day rather than buying an “admission” ticket.

Grade: C+

Rated: PG-13 (for language and some sexual material)

Admission opens in theaters on March 22, 2013.

Marvel fans aren’t pleased with the twist in Captain America: Steve Rogers #1.

By now you know that Steve Rogers is revealed to be a Hydra agent in the first issue of the new Captain America: Steve Rogers series (Read our in-depth analysis of the new issue here). Naturally this news — that ultimate do-gooder Cap would be so evil — has not sat well with fans.

The general consensus is that this shit is unacceptable…


… And the only thing to do is ignore it:



Others think Marvel need a taste of their own medicine:


And/or need to fire their lame-o writers:


Then there are beautiful Photoshops like this one of Chris Evans’ Captain America ripping up a tree the comic:


Some people are Photoshopping the comic to make him say things that are just as outrageous as him being a HYDRA agent:


While others are giving him a different revelation — one concerning Bucky. This is the twist that SHOULD be in the new Captain America series



Marvel, please write yourself out of this one as quickly as possible.


… Before you start coming up with other outrageous revelations


Emilia Clarke proves there is more to Dothraki than death threats in a recent appearance on Late Night With Seth Meyers.

Clarke, who plays the indomitable Daenerys Targaryen on HBO’s Game of Thrones, sets Meyers straight on the fact that Dothraki is, in fact, a real language created for the show. Linguist David J. Peterson crafted Dothraki, and all of the other fictional languages used on Game of Thrones — but even after six seasons, his words present Clarke with a continual challenge.

“You get it in English, at the top in the first script, it’s like, ‘This will be in Dothraki,'” Clarke recounts of her learning process. Following English is the Dothraki speech, followed by a literal translation, and then finally the dialogue in spoken English.

“And then I get an MP3, and then my kitchen hears it for weeks and weeks and weeks on end, until I sound convincing,” Clarke says.

But given the opacity (and complete invention) of the Dothraki language, Emilia Clarke admits that there have been times when she replaced her lines with something a little more… interesting.

“With the latest marvelous actors we’ve had doing Dothraki with us, it was a long day,” Clarke admits, giggling. Not realizing that the camera was on her, Clarke allowed a moment of silliness to take over.

“I thought it would be funny if I did ‘MMMBop’ in Dothraki,” she says. “And that didn’t help him at all! And then I think some of that was definitely my take.”

Ever game, Clarke dives in to her rendition of the Hanson hit, translated into the language of the brutal horse lords.

“I can’t stress how much less catchy that is!” Meyers laughs.

Game of Thrones 6×06, “Blood of My Blood,” airs Sunday, May 29 at 9:00 p.m. on HBO.

Following news that Warner Bros. is planning an all female superhero movie featuring Harley Quinn, a new report states the studio is also looking at spinoffs for her fellow Suicide Squad teammates!

Fans of superhero movies are heavily anticipating the release of Suicide Squad this August, so it came as no surprise that Warner Bros. is already planning on a film featuring one of the Suicide Squad stars Harley Quinn as played by Margot Robbie.

A new report by We Got This Covered says that Warner Bros. is also looking at spinoffs for two other characters on the Suicide Squad team. The report teases, “They’re going to do a sequel for sure, and the recently announced spinoff with Margot Robbie has got everyone excited, too, but their plans don’t end there.”

So who will the other spinoffs reportedly feature? One is basically a no brainer: Jared Leto’s version of the Joker already has fans talking, though whether that’s a good thing or a bad thing remains to be seen. The actor definitely has big shoes to fill given how passionate fans are for the character and how loved Heath Ledger’s version of him was. It’s clear that Leto is going in a totally different direction, though, which could be great for Warner Bros. if fans end up falling in love with Leto’s version, too.

The report also states a second character they’re looking into: “They’re also really hot on Jai Courtney’s character Boomerang right now.” Boomerang definitely doesn’t have the built-in fan base like Harley Quinn and the Joker, so it’s an interesting move by Warner Bros. It will probably depend on the character’s reception in the film, but it could really pay off if it’s done right.

Would you like to see ‘Suicide Squad’ spinoffs featuring Joker and Boomerang?