A look back at the BEST of the new fall TV lineup

12:45 pm EST, December 7, 2011

Dozens of new shows tried to work their way into our hearts (and DVRs) this season, but only a few were actually worth watching. While we’re looking forward to the return of some shows, there are plenty we’re glad to be finished with—and another few we hope will be over soon.

So in honor of the mid-season finales, let’s take a look back at the best (and later this week I’ll tackle the worst) in this year’s fall TV lineup.

 

Grimm

Crime dramas were starting to get played out, but the creators of Grimm put a new spin on a tired idea, jumping on the fairytale bandwagon to create something that’s gritty, fun and a little bit magical. The characters are relatable and entertaining, and the overarching plot adds just enough mystery to the stand-alone episodes so that you’re intrigued but not distracted from the story at hand. Grimm reminds me of early Supernatural, but with more laughs and less darkness. (I know someone in the comments is going to hate that comparison… but just know, I’m ready to argue.)

 

New Girl

Zooey Deschanel is one of my favorite actresses—plus I’m a sucker for any show with someone from Veronica Mars—so I was committed to New Girl. And it’s a good thing, because this show was little more than sub-par at first. But it grows on you. And it has continued to improve, week after week, since the first episode. Jess is adorably quirky, Schmidt is just cocky enough, and did I mention they cast Justin Long as a guest star? Justin Long. There is no better pairing than the awkward-meets-awkwarder match between Zooey and Justin. And they’re not even the most entertaining couple on the show. With episodes like ‘Naked’ and the fantastic Thanksgiving special, New Girl is a comedy winner. (Plus it’s after Glee, so there’s really no reason not to just keep the TV rolling!)

 

Ringer


Last week, Selena asked if you’re still watching Ringer, a show that had so much promise but has been lacking a little in the ratings. Well I am still watching, and I love it. While Sarah Michelle Gellar hasn’t exactly been able to convince me that she’s playing two different characters (sorry, SMG fans), the rest of the cast is stellar and the show is intriguing. The pace can be slow at times, but it’s still one of the best shows out there—and I only see it getting better as time goes on and the mysteries continue to unravel.

 

Suburgatory


It may be because I’ve always thought I was a New York City girl at heart — forced to grow up in the dread of suburbia — but this sitcom is the most hilariously-accurate portrayal of the suburbs (as seen through a teenager’s eyes) that I’ve ever watched. Tessa is plenty sarcastic, but she’s not TV’s typical bitchy teen. Suburgatory has the perfect mix of city snark, suburban madness and sexual tension (between Tessa’s “hip” young dad and the lovably-over-the-top housewife down the street) to keep me coming back week after week for a light 20 minutes of laughs.

 

American Horror Story


A ’70s-inspired horror TV show helmed by the creator of Glee sounded bizarre and I had my doubts. And in all fairness, it didn’t live up to my horror-loving expectations, but how could it? No one wants to sit through a solid 60 minutes of gore and terror each week. American Horror Story is just bloody enough and just spooky enough to keep me loving it, without ever wishing for it to just end already (you know, the feeling you get about 50 minutes into any Scream sequel). It’s sexy, it’s scary, it’s complex, and I spend the hour after every episode re-watching what I just saw (thank you FX for the encore), trying to dissect every detail and wrap my head around the psychological mindflip that I enjoy oh-so-much.

 

Honorable Mentions:

Hart of Dixie, Once Upon a Time, Pan Am, Revenge, Up All Night, Homeland

 

Later this week, I’ll be posting my picks for WORST new fall TV shows! Do you have any suggestions? Did you agree or disagree with my BEST picks? Take a vote below or sound off in the comments!

 

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

Favreau tweeted the news Friday evening:

According to a statement from Disney, The Lion King “will build on the groundbreaking technology used in The Jungle Book to bring the story of Simba to photorealistic life.”

A release date for the film hasn’t been set. Favreau also helmed the live-action Jungle Book for the studio.

So far casting is off to a great start!

What Disney can learn from the 2009 Chinese live-action ‘Mulan’

Here's what 'Hua Mulan' got right

4:30 pm EST, February 17, 2017

Disney seems to have a long-term plan to churn out live-action versions of its most popular animations, and Mulan is the latest of its projects. The live-action version of the Chinese legend is already getting us excited, but many people don’t know that an excellent live-action Mulan movie already exists, made by a Chinese studio.

Hua Mulan (sometimes translated as Mulan: Rise of a Warrior) is a 2009 film by director Jingle Ma. It tells the story of Hua Mulan, a young woman who goes to war instead of her aging father, and rises in the army’s ranks. It won many awards in China, and stars Wei Zhao as Mulan.

Disney’s Mulan wasn’t favorably received in China when it was released, with audiences saying it was too different from the original legend, and too Westernized. Now would be a good time for the studio to make the film as globally appealing as it can be — and Hua Mulan is a perfect example of how to do our favorite female warrior justice.

Read full article

Disney seems to have a long-term plan to churn out live-action versions of its most popular animations, and Mulan is the latest of its projects. The live-action version of the Chinese legend is already getting us excited, but many people don’t know that an excellent live-action Mulan movie already exists, made by a Chinese studio.

Hua Mulan (sometimes translated as Mulan: Rise of a Warrior) is a 2009 film by director Jingle Ma. It tells the story of Hua Mulan, a young woman who goes to war instead of her aging father, and rises in the army’s ranks. It won many awards in China, and stars Wei Zhao as Mulan.

Disney’s Mulan wasn’t favorably received in China when it was released, with audiences saying it was too different from the original legend, and too Westernized. Now would be a good time for the studio to make the film as globally appealing as it can be — and Hua Mulan is a perfect example of how to do our favorite female warrior justice.

Here are some things Hua Mulan got right that Disney would do well to learn from.

hua mulan decision

Bringing more realism to the legend

Hua Mulan follows a plot that is more loyal to the original legend of Mulan, which states that she was a warrior for the Chinese army for over a decade. In the film, she even becomes a General, and retires with the nation’s respect, even after her identity as a woman is revealed.

Seeing Mulan lead thousands of men in Hua Mulan is a rare and empowering experience. Her struggles as a woman in a position of power, and the various dilemmas that come with commanding such a large number of people, are what bring intensity and meaning to the story. Mulan itself explored the concept of honor and femininity as well, but we only got a very small glimpse at the power that the legendary Mulan is said to have actually wielded.

While Disney may not want to make a movie that ventures too far from a family friendly atmosphere by portraying a Mulan who goes to war too realistically (as in, showing her killing enemies), it would be great to see her rise in the ranks and revolutionize such a male-dominated space the way she is said to have done.

hua mulan warrior

Not shying away from the grit — but not making it too grim, either

Hua Mulan does an excellent job of skirting the line between grim tragedy and friendly comedy. With thousands of extras, the battle scenes are as breathtaking and inspiring as they are horrifying. There’s a scene where Mulan counts the dog tags of all the fallen soldiers, and a considerable amount of time is spent exploring her despair and responsibility as the army’s struggle becomes more desperate. The emotional rawness of the story creates a very real, very flawed, yet very lovable Mulan — and takes audiences on an exploration of heroism, perseverance, and honor.

Of course, we can’t expect Disney to go all out with blood and grit — they’re bound to bring out Mushu, after all — but Disney prides itself on epic battles and fantastic special effects, and they’ll want to serve us war scenes as breathtaking and realistic as possible.

However, we’re all tired of grittiness for grittiness’ sake. Despite the heaviness of the more emotional scenes of Hua Mulan, there is sweetness and humor. The friendships in the army, much like those of Disney’s version, can be laugh-out-loud funny, and the scenes of Mulan’s struggle to preserve her male appearance are equally fun to watch.

Related: Disney’s live action Mulan lands female director

After all, audiences won’t be going to see Mulan to see war and sadness — the animated version was fun and adventurous, and although it had somber moments, it still managed to keep things just lighthearted enough for us to not get too sad. With animation, that lightheartedness is an easier task; portraying war with real actors could prove a more difficult challenge.

Establishing more depth in the main relationship

In Hua Mulan, Mulan and Wentai’s relationship is beautiful, but it builds over a long period of time, and strengthens through their mutual respect as they both struggle to lead an army. Their love is based on that combination of trust built over time, and shared responsibility.

Shang and Mulan have what is possibly one of the best relationships Disney has ever come up with. Among the Disney ‘princesses,’ Mulan and Shang probably have the greatest chemistry and story of all, and scenes from the animated film continue to be shipping fuel. Presumably, they’ll want to replicate this relationship in the new live-action version.

However, the animated film was sadly limited to only a few glimpses of the developing relationship. It would be amazing if we could see more of the friendship between Shang and Mulan (as Ping) and how it becomes something more. It’s rare in a ‘princess’ movie to see romance begin with sincere friendship, and it’ll be interesting to see how they deal with the confusion regarding Mulan’s gender in both a funny and profound way.

Giving it a more realistic conclusion

There are some scenes that could do with a makeover, especially at the very end. Mulan’s final trick to kill Shan Yu — by dressing three soldiers in drag and having them attempt to distract him — is hilarious in the animation, but would come off as strange and unrealistic in a live-action movie, and perhaps even a little offensive.

Hua Mulan’s approach to defeating the enemy is a much more powerful one. Although it equals Mulan in stealth and cleverness, it involves realistic strategy and power dynamics, and finally involves her making a deal that saves China through negotiation, rather than war — and making a terribly painful personal sacrifice.

Disney has a penchant for epic final battle scenes, but that isn’t what happens in either Mulan or Hua Mulan. In both cases, it’s Mulan’s cleverness that saves the day. It would be great to see that cleverness translated into a realistic solution, in the same way it does in Hua Mulan.

It’s not like Disney hasn’t subverted its own canon, after all. In Maleficient, it isn’t the prince’s kiss that lifts the spell. Disney could certainly benefit from giving Mulan a more epic finale, and perhaps one that does her legendary character justice.

Immersing us in historically-accurate China

Besides perhaps The Jungle Book, we’ve yet to see a live-action adaptation that takes place in a non-European culture. In fact, this would be the first film to employ solely actors of color. What Disney decides to do here will be particularly interesting; since Aladdin will be getting its own adaptation soon, and Pocahontas could also follow in the live-action trend, the decisions taken here will likely set a precedent for what will be done with those films.

There were rumors earlier of Mulan having a white love interest, which now seem to be crushed, thankfully. We want to see a film with an entirely Asian cast — hopefully at least mostly Chinese — and get a chance to explore the scenery, sets and props of ancient China.

Although, it’s only fair to say that Hua Mulan also has its own white character — a Russian singer called Vitas, who inexplicably pops up now and again. That’s another tip for Disney: don’t just insert white guys into the story for no reason.

Hua Mulan’s shots of rural China are beautiful and unique, and it would be amazing to see what Disney can do if they choose to show much of what they did in animation, with real sets and locations. Hopefully, Disney gets a chance to actually film in China itself.

All this doesn’t go to say that we want a copy of Hua Mulan. Not at all. Hua Mulan is an excellent film in its own right, but it’s considerably more adult than Disney would ever dare make an adaptation. The realism of its wars and of the toll duty takes on Mulan and her companions is nothing like the fun, if occasionally emotional, adventure Disney took us on with Mulan.

Disney’s version is a movie to be excited about, and the additions the animated film made to the legend are what makes it a classic. It would be amazing to see Mushu, Shang, the ancestors, and maybe even the cricket, on screen, as well as the songs, of course! “Make a Man Out of You” with real actors will definitely be one of the biggest highlights.

So far, we know that Mulan’s director will be Niki Caro. Although she isn’t Chinese, a matter that raises a lot of questions about representation, it’s still encouraging to see a female director chosen — and if Caro’s powerful film Whale Rider is any indication, she’s rather good at telling empowering stories with female leads. Hopefully, the rest of the team can be filled with talented Chinese filmmakers that deserve to have a hand in rendering such a culturally significant story properly.

After all, Mulan is primarily a Chinese legend, and her story spans a history much longer than the 18 years since Disney’s animation came out.

In the meantime, go check out Hua Mulan, which is a fascinating film (although a considerably more adult one; you’ve been warned)!

What are you expecting from ‘Mulan’?

There’s a new drama coming to HBO this Sunday and you can’t miss it. Big Little Lies is a delicious trip through the small, rich, and scandalous town of Monterey, California.

Featuring an all-star cast — Alexander Skarsgård, Laura Dern, Adam Scott, Nicole Kidman, Zoë Kravitz, Reese Witherspoon, and Shailene Woodley — HBO’s book to TV adaptation of Liane Moriarty’s wildly popular novel should please both book readers and newbies (I’m the latter) thanks to the soapy drama and lack of censorship.

‘Big Little Lies’ review: Come for the cast, stay for the story

Big Little Lies takes elements of True Detective, Real Housewives, and Gone Girl, and mixes them into one lovely, hate-filled cocktail. Set in the beautiful coastal town of Monterey, the secrets and connections between characters run deep.

Read full article

There’s a new drama coming to HBO this Sunday and you can’t miss it. Big Little Lies is a delicious trip through the small, rich, and scandalous town of Monterey, California.

Featuring an all-star cast — Alexander Skarsgård, Laura Dern, Adam Scott, Nicole Kidman, Zoë Kravitz, Reese Witherspoon, and Shailene Woodley — HBO’s book to TV adaptation of Liane Moriarty’s wildly popular novel should please both book readers and newbies (I’m the latter) thanks to the soapy drama and lack of censorship.

‘Big Little Lies’ review: Come for the cast, stay for the story

Big Little Lies takes elements of True Detective, Real Housewives, and Gone Girl, and mixes them into one lovely, hate-filled cocktail. Set in the beautiful coastal town of Monterey, the secrets and connections between characters run deep.

Reese Witherspoon’s Madeline is the ringmaster. She’s the typical Helicopter Parent trying as best she can to keep Monterey’s relationships and extracurricular activities together. Bringing her down is her ego and never-ending animosity toward a couple of characters, including her ex-husband’s new bae Bonnie (Zoe Kravitz, below). Together, Bonnie and Madeline’s new hubby Ed (Adam Scott) want to keep the peace between their two partners, but they’re the only two who seem capable of keeping tempers in check.

Meanwhile, Perry (Skarsgård) and Celeste (Kidman) have serious marriage issues that seem impossible to resolve. Of the leading ladies, Celeste seems to be the most level-headed despite her shitty husband. Then there’s Laura Dern’s Renata (below), who hates Madeline with all of her heart. Some of the best scenes are between these two ladies.

Not helping the Renata/Madeline relationship is the latter’s new friend Jane (Woodley). She’s just moved to town with her son Ziggy, who might’ve caused serious trouble on his first day of school.

It’s this event that initiates the show’s biggest mystery: A murder. Who did it? Who’s dead? The answer is not revealed in the first four episodes despite flash forward sequences in which we see an investigation taking place. As you continue to watch, it becomes increasingly clear that any of the characters could be be the victim or murderer. (This writer hasn’t read the book, so please don’t spoil me.)

Big Little Lies is the perfect show to cuddle up with on Sunday evenings for the next two months. While some have called this show corny, I find it to be a delight. I just have one suggestion for every viewer: Bring a glass of alcohol to the party. While screening the episodes, I very much enjoyed watching the drama unfold with a drink in hand.

The only problem? It’s just seven episodes long. Here’s hoping for more seasons or more adaptations of Moriarty’s books at HBO.

Big Little Lies premieres Sunday, February 19 on HBO.