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Hypable

One of the most tragic love stories of all time, Baz Luhrmann has adapted another rendition of The Great Gatsby for the big screen. Although a bit over-done at times, The Great Gatsby is a refreshing and modern interpretation of F. Scott Fitzgerald’s classic novel.

Set in the height of the roaring 1920s in the greater New York City area, The Great Gatsby is narrated by Nick Carraway (Tobey Maguire) – a Yale graduate, World War I veteran, and a writer-turned-bond salesman. After moving to West Egg – an area on Long Island – Nick reconnects with his second cousin, Daisy Buchanan (Carey Mulligan), who is married to his [sleazy and arrogant] former Yale classmate, Tom Buchanan (Joel Edgerton). Slowly, Nick begins to hear bits and pieces about a mysterious man named Mr. Gatsby (Leonardo DiCaprio) – a man that apparently no one has ever seen, yet he throws extravagant parties that basically all of New York attend. A multi-millionaire, Gatsby is said to have traveled the world, attended Oxford, and won many awards for his service in the War. Subsequently, Nick soon learns that Gatsby is his next-door neighbor and receives an invitation to one of his parties. Eventually, Nick meets and becomes acquainted with Gatsby, and soon learns that he is an ambitious man for his own reasons, but he also guards many secrets.

gasby clarke edgerton maguire

If Luhrmann’s intention was to adapt a story that is both fresh for the Gastby time period and today’s world, then he did exactly that. The Great Gatsby is the epitome of the 1920s – flappers, the height of the stock market, large parties, and prohibition are all highlighted in the plot. When the novel was published for the first time in 1925, obviously everything just listed was extremely prevalent in America. However, Luhrmann turned this 1920s story and twisted it with 21st-century culture, most noteably the soundtrack. Executive Producer Jay-Z performs many of the songs on the soundtrack, which also includes Beyonce, Florence + The Machine, and more contemporary artists.

Although originally skeptical of these selected artists featured in The Great Gatsby, a setting that is entirely quintessential of the Roaring Twenties, I was shocked at how much I enjoyed the mixing of music and eras. While there are some distinctive pieces heard that embody the early 1900s – such as Gershwin’s Rhapsody in Blue – the blending of the two eras brings the film into another level of symbology. Examined outside of the era it’s set in, The Great Gatsby plot, at it’s simplest, can be applicable to anyone in any location or time period: Man meets girl, the couple separates for reasons outside of their control, girl meets another man, man attempts to win girl back by lying and financially building himself. By combining styles and music of the 21st century, this only solidifies the message that the plot’s omen can be taken out of historical context and applied to anyone.

gatsby daisy dicaprio

Yes, stylistically, the film produces an extremely high level of detail, and is, at times, a bit overdone, but it’s exactly what I would have expected a Luhrmann rendition of The Great Gatsby to be. The vivid colors, unique cinematography, and over-doneness that is the film is perfectly Baz Luhrmann and Roaring Twenties. At times, the style overcompensated for the plot adaptation, character development, and acting, but the film by no means did Fitzgerald a disgrace. The acting was satisfactory, and is one of DiCaprio’s better roles, but Edgerton, although not extremely well-known, takes the cake in this one. While Nick is the narrator of the story, the story is not about him. There are many scenes in which he is merely a fly on the wall, and everything unravels around him. While the focus was mainly – and understandably – around developing Gatsby and Daisy, the development of Nick could have been better adapted, for the audience to understand who Nick is.

In 1920, Fitzgerald stated that “an author ought to write for the youth of his generation, the critics of the next, and the schoolmasters of ever afterward.” While the masterpiece of his novel has unquestionably achieved exactly that, I predict the youth of today will enjoy Luhrmann’s adaptation of The Great Gatsby as well. As for the rest – only time will tell.

Grade: B+

Rated: PG-13 (for some violent images, sexual content, smoking, partying and brief language)

The Great Gatsby opens in theaters on May 10.

Be sure to check out our Gatsby guide before seeing the film!

  • Madeline

    Great review. Can’t wait to see it!

  • Emalee

    I think you’re in the minority here since the film only has a 48% on rotten tomatoes, but good review either way.

  • Jonathan kunitsky

    Excelent movie. I went to see it with a group of 7 people, however, out of the group only me and one other person thought it was excellent. Two people actually hated it. I thought, personally, that it was very well done. The acting was good, but Tobey Maguire wasn’t the best to play nick. I cant put my finger on it, but his acting was just not that great. Leo was spectacular, Carey Mulligan was stunning, Joel Edgerton was amazing, and even the woman who played Jordan Baker was pretty good (better than Tobey Maguire I might add). Overall, it was great and DEFINITELY a must see. I agree with this review and the movie definitely lives up to the hype its been given.

  • http://blackrapture.tumblr.com/ thegoodshipdestiel

    Just saw it this morning – I thought it was great! I always found the book to be massively overrated. I know, I know. Sacrilege apparently, but I was an English major and had to read it numerous times. The movie is more exciting than the source material and it gave characters that I always found vapid and unsympathetic actual depth. I say bravo!

  • SnatcherGirl

    Beautifully fantastic movie. Except Toby Macguire – Nick was always much classier in my head than how he portrayed him. I could more easily see Edward Norton in the role…

    • JoJo

      Yes Yes Yes, Edward Norton should have been in this movie for sure.

  • Marie

    I’m going to be the hater for a second. The soundtrack drove me nuts. Sometimes blending eras can work, but Gatsby is so entrenched in its era, I wanted to punch things as I heard booty jams when they were dancing in flapper outfits. It was so distracting and took me out of the world.

    One plus though (but maybe a negative?): I felt far more sympathy for Daisy in the film than the book. Like, I think I enjoyed her the most, surprisingly, as she’s loathsome in the book. The actress brought humanity to her, and I felt way worse for her than I think I was meant to.

    • Charlie

      I haven’t seen the film yet, but the trailers had me worried about Daisy. I was worried they were going to play her as less shallow than in the book, and that her relationship with Gatsby would be a more traditional romance. But if it’s a side-effect of Mulligan’s acting rather than in the script itself it might not be too bad…

  • Raye

    I LOVE the music. Why? Because the music shows the POINT to why we are watching the movie now! Baz doesn’t direct movies just for kicks. He wants to reach out to the audience. He said in an interview that he wants the audience to always be reminded that they ARE the audience. In Moulin Rouge, It was the breaking out into song. For Romeo + Juliet, it was the iambic pentameter.

    For this movie, it was the modern music. We know we’re not just looking into a time portal, as other movies can feel like, but instead we are aware that we’re sitting in a theater. It’s a “Red Curtain” movie.

    So, whenever you hear the modern songs, you’re supposed to perk up and say, “Hmm, what should I learn from this scene? What should this scene remind me of that I recognize in my day?”
    The best example of this is the “100$ bill” song playing over the speakeasy basement. Then, it was a gangster joint where hypocrites indulged in their desires. (Aaaaand, where have we seen that before?) The music is a red flag for us to not ignore the scene, nor to put the actions of the characters as “only would happen then.”

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