At this point it’s impossible to write about Zero Dark Thirty, Kathryn Bigelow and Mark Boal’s portrayal of the hunt for Osama bin Laden without addressing all the controversial baggage that has come along with its release. Yet it’s more important to address it as a piece of filmmaking, to which it is a masterful, towering achievement.
Zero Dark Thirty packs a massive punch as it distills the 10 year hunt for bin Laden into a 157 minute procedural that ends spectacularly. Cold and uncompromising throughout, the film will likely turn some off as from the start it is perhaps an overly intense experience. Much has been made of the film’s opening moments, which sees CIA interrogator Dan (Jason Clarke) using “enhanced interrogation techniques,” (read: water-boarding and sleep deprivation) on a detainee. The film’s central character, Maya (Jessica Chastain), watches in the background during what boils down to an extended torture sequence.
It’s brutal to watch and immediately sets the stakes as high as possible, regardless of the fact we know the outcome of the film going into it. To address the controversies surrounding the inclusion and use of torture in the film, I’ll simply say by having it in the film, Bigelow and Boal are definitely not endorsing torture or even saying it works. Instead, it’s much more of a journalistic approach, and definitely doesn’t play fast and loose with it, rather letting history (or their interpretation of it) speak for itself.
Jessica Chastain is stunning as Maya, a character that constantly surprises. She is a terrifically written character which Chastain brings a quiet power to that perfectly matches the tone of the film. The film shifts between different chapters of the decade-long search, as the likes of Kyle Chandler, James Gandolfini, Mark Strong, Edgar Ramirez, Mark Duplass and Jennifer Ehle appear in supporting roles as various CIA operatives and higher-ups.
These performances are all solid, as are Chris Pratt, Joel Edgerton and others as members of SEAL Team Six, but it’s Chastain and Clarke who stand out of the crowded ensamble piece. Maya’s tenacity and determination to find bin Laden fuels much of the energy of the film, which unfolds in detailed, procedural fashion. Her character arc is interesting to behold, as it occurs over the course of a decade. Clarke’s is also quite interesting, as early on we see him as the instigator of torture and ends up as a man behind a desk in Washington.
Just as Boal wrote an impeccably crafted, impossibly detailed account of the search for bin Laden, Bigelow proves once again to have a command over her material, creating visceral, adrenaline-pounding sequences to balance out with the years of searching. While Maya is at the center, Bigelow impressively captures just how much of an effort the hunt was, while creating a chilling portrayal of al-Qaeda.
The attention and commitment to detail is impressive to say the least. Bigelow does an impressive job of keeping the audience with the film for the first two hours-plus of its running time, before SEAL Team Six arrives on the scene and delivers an impressive, breathtaking final act that will keep you on the edge of your seat, again, despite the fact that you know the outcome.
As Zero Dark Thirty comes to a close, Bigelow adds the right touches to make the film come together as well, if not better, than it started. There isn’t as much of an emotional impact here as with many other films of the year, however the result is just as impressive as any and all of them. It’s a remarkable achievement on multiple fronts, but perhaps more impressive of all is what is ultimately delivered: a dramatic retelling of recent moments in history of the highest order.
Rated: R (for strong violence including brutal disturbing images, and for language)
Zero Dark Thirty expands nationwide on January 11, 2013.
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