Leah Cypess is the author of the young adult fantasy novel Mistwood, and its companion Nightspell. Her work has earned starred reviews in Kirkus and acclaim from the ALA Booklist and School Library Journal. Leah wrote in her spare time through law school and legal practice, and now lives in Brookline, Massachusetts with her husband and their three children.
Could you tell us 5 random facts about yourself?
1. I like blue
2. I also like green, actually.
3. I think dark blue and forest green match and look great together. And I sometimes dress accordingly, even though everybody I know disagrees violently with my assessment.
4. At other times, I wear clothes that don’t match, but it’s not quite with the same sense of social defiance. It’s just because I have a bad habit of not noticing that clothes are dirty until I’m wearing them and have five minutes to get out the door.
5. I don’t really care that much about colors, or even clothes, in a general sense. But you should beware of saying “random” to me.
Tell us about your journey to becoming a writer.
I’ve known I wanted to be a writer for as long as I can remember. In first grade, I wrote a story from the point of view of an ice-cream cone, and when I was eights years old I told my grandmother I intended to be an author when I grew up. (Actually, I intended to be the youngest ever published author, but then I saw this tv news interview with a 7-year-old who had sent a peace poem to Russia, and my dreams died a sudden and painful death.)
My journey to being a published writer, however, was far more complicated. Also at around the age of eight, I started trying to notice how publishers packaged their books and who they published, because I figured this would help me “pick a publisher” when I was ready. I decided I’d go with Greenwillow Books, since they published Diana Wynne Jones and she was my favorite author.
At the age of fifteen, I started sending books and stories to various magazines. I would stop off at the library on my way home from school, go to the Reference section, and painfully copy out entries from Writer’s Market. I got, of course, slews of rejections. I knew to expect that, so my confidence was unabated. There was only one letter that stung – from Marion Zimmer Bradley’s Fantasy Magazine, the only magazine I actually subscribed to (well, that and Cat Fancy – even though I didn’t have a cat – but that’s a very long story). I loved the selection in that magazine and they were all exactly the types of stories I wrote, so I figured they would be the first to publish me.
But my first rejection letter from Marion Zimmer Bradley was a form letter which explained that, “I am sorry to say that in this story you did not manage to get me sufficiently interested in your characters to care whether they lived and did well or whether a convenient earthquake came and swallowed them all up on the last page.” And yes, you read correctly. That was the standard language on one of her form letters.
At the age of 17, I finally got my first story accepted to publication – at Marion Zimmer Bradley’s Fantasy Magazine. Thick skins are very important in this business.
I then started sending my first full-length book manuscript to editors. I collected rejections from pretty much every imprint in existence. Over the next five manuscripts, I slowly graduated from form rejections, to “not this one, but send us your next one” rejections, to personal regretful rejections explaining in length why this manuscript wasn’t a good fit, to revision requests, to rejections that came from the acquisitions committee rather than the editor.
Finally, a mere 15 years after my first submission, I got an offer to publish Mistwood. It came from Greenwillow Books.
What has surprised you about writing and publishing?
When it comes to writing, I’m surprised by every book I write. I always think I have a sense of where the story is going, and somewhere along the way, it always takes a left turn. That’s one of my favorite parts of writing, and one of the reasons I don’t outline.
With publishing, pretty much everything surprised me. I had never thought about what happened afterward; that offer to publish, to have a real book with my name on it, was the gold at the end of the rainbow for me.
Why do you feel drawn to the stories you write?
With short stories, I’m usually drawn to an idea that I think is cool and unusual and/or looks at an issue I really care about through a different angle. With novels, I usually need two things – a character that comes to life in my mind and a situation that spurs my imagination.
At what point in the development of an idea do you know that it will become a full-length novel?
It depends on the idea. With Mistwood, I knew somewhere in the middle of the second chapter that this wasn’t actually going to be a short story. With Nightspell, I knew from the start it was a full-length book idea.
What has been the toughest criticism given to you as an author?
I shut all criticism out of my mind, so I can’t answer that.
Just kidding. Though to be honest, there isn’t any particular critique or review that sticks out in my mind – I do know what seems to bother a lot of people, and those are the things I try hardest to work on. With Mistwood, a number of people felt the secondary characters weren’t as fleshed out as they could be, so that was something I tried to correct while writing Nightspell. With Nightspell, a lot of people didn’t like that there wasn’t enough romance, which is somewhat frustrating to me since I never intended the book to be a romance – but Barnes & Noble shelved it under paranormal romance, so people understandably felt that they didn’t get what they had expected.
What has been the best compliment you’ve received?
What means the most to me are those reviewers who have become fans – who are eagerly anticipating my next book and will read it no matter what it’s about. That’s how I feel about my own favorite authors, and though I don’t think I’m in their league, it’s really amazing to think that there are people who feel that way about my writing.
Where’s your favorite place to write?
A beach on a windy day. Or, in reality: the playground when my kids have friends to play with and therefore don’t interrupt me.
Do you most relate to your main characters, or to secondary characters?
I tend to write in a pretty limited third-person POV, which makes me relate most to my main characters. That doesn’t necessarily mean they’re the characters who are most like me.
How do you approach writing villains?
I don’t know if I write “villains” (though come to think of it, I may have in Nightspell). I think everyone has reasons for the things they do, even when those things are evil. I also think that understanding someone’s actions is not the same as condoning them.
What is your favorite chapter or scene you’ve written recently?
I have this tendency to love the next thing I’m going to write the best. That said, I recently wrote a rough draft of a scene for the sequel of Deathsworn, and while I can’t say anything about it without major spoilers, I kind of hug myself thinking about it.
(Sorry. I know that is massively uninformative. If it makes you feel any better, I give it about a 30% chance that in a week I’ll look at the scene again and realize it needs to be cut.)
Which is easier to write: The first line or the last line?
The first line!
Which one YA novel do you wish you had when you were a teen?
Split by Swati Avasthi. First, because it’s amazing, and second, because it deals with a topic (spouse abuse) I’ve never really understood – and probably still don’t, but I now understand what I don’t understand.
Do you have things you need in order to write? (i.e. coffee, cupcakes, music?)
Paper. Pen. That’s about it.
What are you working on now?
The aforementioned sequel to Deathsworn. It’s my first time writing a sequel, and it’s been a challenge, but there’s also something very satisfying about getting to stay with the same character for so long.
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